Gustavo Vinagre

Lázaro Escarze, an 87 years old revolutionary Cuban man, lives in a small village and will have his phone installed for the first time in his life. To whom will he call?

The most mysterious object. The most concrete thing.

Two strangers visit the penthouse of a recently deceased lover, only to find themselves learning more about each other.

Gabriel is installed next to a tree in a noble neighborhood of the city of São Paulo. Clarisse accompanies astonished and inert the treatment given to Gabriel, at the same time that leads a stagnant life and dependent of the mother.

A couple in a bed. The young man wakes up, coughs a razor, leaves to shave then coughs up makeup and puts on makeup. The transformation can take place.

In a middle-class neighbourhood in a city in the countryside of Brazil, the real estate speculation is a menace to the affective memory of a group of friends. Their answer to this imminent transformation is to fuck in the construction sites. And what about love? Is love just a construction?

While the country is under the yoke of a military junta and corrupt priests preach the apocalypse, a lawless, eccentric family – a kind of Bonnie & Clyde with kids – trek through the Brazilian interior. Their first aim is to deliver a consignment of weapons to a group of militant nuns who have withdrawn to the jungle, living off the income from their cannabis plantation. As gay , bi, trans, the converts so organized to make revolution.

Flávio loses his sexual appetite editing porn videos. José, his husband, is trying to create an equation that determines when humans will colonize Mars. Flávio is focused on a more internal journey, and José is trying to find ways to bring Flávio's lust back. Meanwhile, Hypnos, god of sleep and youtuber, tries to give people back the art of rest.

In the first scene of this screenplay, there is something I call "the prologue". The image of an erect dick trying to stay standing. I understood during the various modifications of this script, that this scene, "the prologue", was a movie in itself. And it is this experience that I wish to provide to the audience: the observation of a falling object struggling to stay standing. This object subjectively represents thousands of symbolisms for our culture, but I leave this symbology to your imagination.

In the center of the city, Alain seeks to fill his void, while Miguel needs a place to stay.

The story of the decline of the Soares family in the final months of the 19th century. Isabel is the dying mother, and her daughters are Maria and Ana. The three women try hard to forget about their pasts in the coffee farm and face the industrial times that start to take over Brazil.

A boy dreams of being a man like the ones he lusts for. Does the man he becomes live as he imagined?

The first volume of an international collection of LGBTQ short films focusing on men. The 5 short films are: Just Past Noon on a Tuesday (2018); The Mousetrap [La tapette] (2016); The Storm [La tempête] (2017); P.D (2014); Neptune [Netuno] (2017).

Not Even God Is As Fair As Your Jeans 2024

Cucumber Knife