Ricardo Ariel Toribio

After fifteen years in an American jail, a man returns to the Dominican Republic. As he faces family problems, he turns to illegal street fighting and is discovered by an Italian ex-boxer.

Remembers an artist in the form of a somnambulistic fantasy: A filmmaker faces increasing challenges as she tries, decades later, to complete Dominican filmmaker Jean-Louis Jorge’s unfinished work.

Tormented by violent events, a gavillero goes on the run in search of his freedom.

Every afternoon Noelí, a young Dominican woman, hangs out on the beach at Las Terrenas. With her boyfriend, Yeremi, they look for ways to make a living at the expense of one of the hundreds of tourists there. However Noelí also has a steady client, Anne, a much older French woman, who, like many other Europeans, has found an idyllic refuge on the island to spend her last years. For Noelí, the relationship is one of convenience, but the feelings become more intense as they plan to leave together for Paris.

Olivia & the Clouds explores love's complexities through a Rashomon effect. Olivia, haunted by a past love, hides it under her bed. She trades flowers with this ghost in exchange for comforting rain clouds. Barbara, rejected by Mauricio, escapes reality through fantastical stories. Mauricio, full of regrets, is swallowed by the earth. Ramon, smitten by Olivia, witnesses the growth of a strange plant mirroring her. With surreal elements, the film delves into the enduring power of love's memory.

A rapturous crime fable set in the Dominican Republic, Nelson Carlo De Los Santos Arias’ COCOTE follows Alberto, a kind-hearted gardener returning home to attend his father’s funeral. When he discovers that a powerful local figure is responsible for his father’s death, Alberto realizes that he’s been summoned by his family to avenge the murder. It’s an unthinkable act — especially for him, an Evangelical Christian. But as pressure mounts, he sees few ways out. Questions of faith, tradition and honor course through this electrifying film, which, seemingly at the speed of thought itself, jumps between film formats, colors, and aspect ratios, radically envisioning a community torn asunder by senseless violence.