Fernando Epelde

Miguel travels to Pontevedra, his hometown, with the request of serching for some locations for a movie. His trip takes him back to the place where he grew up, meeting up with some old friends, but also leads him to the possibility of a new relationship: Alicia, a young nurse who will get to calm him down. Miguel will try to finish his work even though he mostly prefers to film the natives he meets, the movements and faces of his friends, the trains coming or the sea. A journey around the uprooting (the cinema) and love.

Film director Mikel de Garay and the attractive young producer Andrea Bilbao, who hide an obscure past, are going to make a film based on the latest novel by Rosendo Carballo, a successful writer with homosexual tendencies who has put an end to his marriage of convenience and is sharing his life with a young gay man. Rosendo is going to meet with Mikel and Andrea, and three friends of the writer, Fernando, Beatriz and Nacho, join the group. Conflict arises unexpectedly when the characters start to play a dangerous game: digging around in their respective pasts in the hope that this will produce a catharsis.

Sira Quiroga is a young Spanish dressmaker engaged to a solid suitor when a suave typewriter salesman upends her life. Spain is being upended by a civil war and the new regime's growing alliances with Nazi Germany. Sira, smart, gutsy and resourceful with a Scarlett O'Hara-like ability to whip up designer duds on a moment's notice, Sira has spunk. Sira gains and loses a small fortune, is dumped by her cad of a lover in Morocco, runs guns to get the cash to start her life anew and becomes couturier to the Nazi wives stationed in Madrid. Urged on by her friend, the real-life British spy Rosalinda Fox, Sira, too, aids the British cause.