Mário Barroso

Portrait of the last days of the life of Portuguese writer Camilo Castelo Branco.

An ice-cream seller lusts after the female employees in his shop.

The life of a young man, son of an English officer who lets himself become a prisoner of love resulting in fatalism and disgrace.

Portugal, 1917. The country is experiencing a great political and social agitation and it is said that in Fatima the virgin appeared to three little shepherds. Salomé, a young lady from the province, is one of the many girls who cheers Lisbon brothels, but she is such a special girl that a rich man invites her to live in his house and presents her to the high society of Lisbon. But her past will not stop chasing her and Salomé, who thought that this would be the beginning of a new life, will eventually lose everything by becoming an involuntary character of this miracle that agitated the country...

Don Quixote, Luís de Camões, Camilo Castelo Branco and Teixeira de Pascoaes meet in an eternal garden in the middle of a modern city and talk about life.

João Vuvu, lives alone in a house that requires regeneration but due to being alone he is unable to do the work. On his son's release from prison and João's ensuing deception triggers a series of somber events.

Ema is a very attractive but innocent girl, so pretty that cars crash in her presence. In her youth she marries Dr. Carlos Paiva, her father's friend, to whom she is not attracted. They move to the valley of Abraham. Carlos loves her, but decides to sleep in a separate room to avoid waking Ema when he has to return late at night. As time goes by she begins to feel unhappy about her marriage, so she finds a new lover.

Roberto is one of those men to whom simulation has become the greatest art. He is an unmoved, inscrutable, mysterious man. But the truth is that Robert feels an intimate, deep tedium. The boredom of those who have already exhausted all the pleasures of life. The only thing still surprising him is the fact that nothing surprises him anymore. One evening he has an overwhelming encounter with a woman. For his own bewilderment, he discovers the sublime horrors in which the woman has sank.

An impossible love. Two young people who love each other. Vera and João can’t find in this life the space, time, or identity to resolve their love story.

A retrospective on the life and work of Portuguese director António-Pedro Vasconcelos.

There is a special brigade dedicated to camera thefts in Lisbon. Few cameras are found, although sometimes tapes are thrown in the gutter like lost memories. Policemen watch these tapes hoping to find clues in this flow of touristic and intimate video recordings. One image leads the investigation to France.

A journey inside the tram crossing the city of Lisbon while listening to fragments of Fernando Pessoa's poetry.

A blind beggar is robbed of his chest of money. The theft leads to a dramatic situation in the street where he begs every day.

Jorge de Sena was forced to leave his country. First he moved to Brazil, and later to the USA. He never returned to Portugal. During his 20-year-long exile, he kept an epistolary correspondence with Sophia de Mello Breyner Andresen. These letters are a testimony of the profound friendship between the two poets, letters of longing and of desire to “fill years of distance with hours of conversation”. Through excerpts and verses, a dialog is established, revealing their divergent opinions but mostly their strong bond, and their efforts to preserve it until their last breaths.

A film about General Humberto Delgado's brutal assassination by the Portuguese fascist police in 1965.

Two actors performing in Strindberg's "Inferno" as God and Lucifer, find themselves competing in real life as well. One of them, Henrique, has spiritual obsession with John Wayne and his way of walking. He and de Dieu, his fellow actor who plays Lucifer and also directs the Strindberg play, engage in a philosophical and spiritual tug-of-war, especially when they meet an author named God, who has plans for another drama to feature both actors.

In 1918, Maria Adelaide Coelho da Cunha, heiress and owner of the Diário de Notícias, leaves the social, cultural and family luxury in which she lives to escape with a petty chauffeur, 26 years younger.