Darkul Kuyukova

Dyuishen is assigned to the mountainous Kirghiz region of Central Asia by the Young Communist League after he is discharged from the Red Army. It is 1923 and the Civil war has ended. The former soldier becomes a teacher, bringing the Leninist doctrine to the remote Moslem area where elders did not allow children to go to school. He falls in love with one of his students, but the young woman is sold by her father to a wealthy chieftain. When the school is burned down, the majestic poplar trees that are a source of local pride are cut down to rebuild the new structure.

An idealistic high school graduate goes to work on a state farm on the Kazakh steppe, only to clash with its authoritarian leader.

Two teenagers, Kasym and Liza, are trying to stop a group of criminals and helping police.

Longing to discover his father, a sad young boy dreams of becoming a fish and swimming to the great white ship he sees traversing Lake Issyk. Lost in his dreams, and buoyed by the pagan tales of his Central Asian grandfather, he feels a close communion with nature: so much so that when a hunter kills a stag, he too takes a final, liberating leap.

The end of the 1920s — the beginning of the 1930s in Kyrgyzstan. Parts of the Red Army are waging an uncompromising struggle with basmachi in Central Asia. The film tells about the formation of the character of the young Kyrgyz hunter Djura, who found himself in a swirling whirlpool of revolutionary events that swept the Pamirs. It shows the hard way from a simple young hunter, entangled in centuries of prejudice, to a conscious, seasoned in many battles with the Basmachi mature fighter, who believed in the great ideas of the revolution.

Feature made for Kyrgyz television by Melis Ubukeyev (White Mountains).