Yevgeniy Fyodorov

Nikolai Petrovich comes to St. Petersburg to organize a revolution against the oligarchy.

If it were necessary to describe the history of independent rock music in Russia in one word, then this word would be Gorbushka. It is a password that has not needed explanation for more than 30 years. This is the Feelee music company, a celebration of the open-air free industry and a true portal to world music, ranging from Nick Cave and Coil to Sonic Youth and Rage Against the Machine. The film, based on archival footage and eyewitness accounts, tells how Feelee has come a long way, changing with the country and changing the country, and as a result has taken its special place in Russian culture.

The film is about the complicated and even paradoxical relationships in the world of academic music. The character of Aleksandr Maslaev represents the Maestro, a kind of modern Mozart, wallowing in corruption, plagiarism, and envy. Once a talented composer, he's totally lost his gift and cynically buys new music from young composers, then plays it under his own name. Yet, the Maestro does not close this chain, for everyone pays his debts...

40-year-old provincial Natalya Nikitina has been living in St. Petersburg for the seventh year. She works as a nurse for ailing old people and endures their countless quirks and humiliations. Once in her life, a new friend appears - a masseuse named Love, who plunges Natalia into the abyss of bright and risky adventures in search of love and happiness.

The Solar Children, a group of dwarves who left the circus, are trying to start a settlement in the Kyrgyzstan wilderness just after the breakup of the Soviet Union, but are harassed by a gang of bikers. With their meager savings, they hire a ragtag group of heroes to drive off the bikers.

In 2023, the band Tequilajazzz embarked on the first tour after the outbreak of the war. In the autumn of 2023, on the volcanic rocks of the Adriatic coast, the band played a special concert "Four Winds", imbued with maritime romance and the mood of the Scandinavian fjords beloved by Evgeny Fedorov.

In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?