Recorded Live at the Hammersmith Odeon Theatre, London, 8 October 1985. Can the bombast and fury of one of Extreme Metal's founders truly be captured on video? Turn it up and find out! Touring supporting 1985's POSSESSED, this would become one of the last documents of the original lineup, as guitarist Mantas would depart not long after. Songs: 01 - Too Loud (For the Crowd) - 02 - Black Metal - 03 - Nightmare - 04 - Countess Bathory - 05 - The Seven Gates of Hell (Bass Solo) - 06 - Buried Alive - 07 - Don't Burn The Witch - 08 - In Nomine Satanas - 09 - Welcome To Hell - 10 - Warhead (Guitar Solo) - 11 - Schizo - 12 - Satanachist - 13 - Bloodlust - 14 - Witching Hour
Filmed at Hammersmith Odeon in London on 10/8/85.
Recorded live on Venom's 1990 Prime Evil tour at The Marquee Club in London.
Venom Inc. - Hellfest 2023
1. Seven Gates of Hell, 2. Die Hard, 3. Welcome to Hell, 4. Leave Me in Hell, 5. Countess Bathory, 6. Buried Alive, 7. Don't Burn the Witch, 8. In Nomine Satanas, 9. Schizo, 10. Nightmare, 11. Black Metal, 12. Witching Hour
Blistering live performance by British black metal pioneers Venom captured at the Hammersmith Odeon in London in June of 1984. One of the most legendary shows in the history of metal featuring the classic line-up of Cronos (vocals/bass), Mantas (guitar) and Abaddon (drums). TRACKLIST: 01. Leave Me In Hell 02. Countess Bathory 03. Die Hard 04. 7 Gates Of Hell 05. Buried Alive 06. Don't Burn The Witch 07. In Nomine Satanus 08. Welcome To Hell 09. Warhead 10. Stand Up And Be Counted 11. Blood Lust
Recorded live on April 3, 1985 at Studio 54 in New York. Live footage and interviews with Slayer, Venom & Exodus. Venom's live clips are from other videos because Mantas had chickenpox.
The main themes of Murder Music are: the musical origins of black metal, from Birmingham, UK hard rock group Black Sabbath to Newcastle extreme metal pioneers Venom; the anti-Christian sentiment of its practitioners; the controversies surrounding the criminal acts (arson and murder) of the early Norwegian scene; and the paradox of a Christian form of black metal, represented by Scandinavian band Frosthardr. The 64-minute documentary eschews much of the tabloid sensationalism that shrouded the genre in the early to mid-'90s, focusing instead on the music itself, an element thus far overlooked by the mainstream media.
