Roberto Parada

A friendship develops between a postman and Pablo Neruda in the village of Isla Negra village.

The political evolution in Chile seeing from three different times: 1937, 1947 and 1970. A film that shows how a revolution cannot be accomplished by electoral means, and how the wealthy class will always attempt to destroy that revolution, with the help of the armed forces, as soon as their privileges are threatened.

After living many years in Miami, Bill returns to Chile looking for his brother. One night they meet again and celebrate the event with a night of revelry. The next day, Bill wakes up alone and since then he loses all traces of his brother. Mysteriously a detective appears and offers to help, starting a searching and a succession of misunderstandings.

A family on the brink of bankruptcy decides to do dirty jobs undercover by the government to overcome their condition.

Olguita and Osvaldo are planning to get married, but she imposes only one condition for this to happen: she must own at least one property from his,regardless of its worth.

Si mis campos hablaran is a 1947 Chilean film directed by José Bohr. It was entered into the 1954 Cannes Film Festival.

The journey of a retired music teacher who witnesses the detention of a former student by the security agencies of dictatorship. This strong experience leads him to give up on a dream trip to Europe and to begin an intense search for the student's relatives and make them know about what has happened to him.

During the socialist government of Marmaduke Grove in 1932, a group of villagers decide to take some land in the area of ​​Palmilla. Almost like a mythical journey, problems arise when seated and in a position to bring the socialist ideal in the population. Everything becomes more complicated with rumors that the reactionary forces have overthrown the socialist government. A movie that because of the coup was not released in Chile and was only terminated by Littin in exile in Mexico.

Miguel Hermoso's Like Lightning offers a fresh take on a familiar scenario, the teenaged boy searching for his unknown father. Pablo is a typical teen, with a fondness for football and sneaking beers with his buddies. He enjoys a comfortable upper-middle class life with his mother (Assumpta Serna), a successful lawyer and former feminist rabble-rouser, but has a gaping hole at the core of his identity: he has no idea who his father is. Preoccupied with the question to the point of obsession, he sets out in search of answers, and finds himself on a trail that leads to the Canary Islands.