Shiori Doi

Through philosophical and science themed imagination, Emile questions everything from his teenage years to adult life.

Shuji Tokita (Eiji Okuda) is a film director and a professor at a university. He goes through a difficult time trying to film his new movie. He believes his movies reflect his own personal expriences. A female high school student, Ritsuko (Yukino Murakami), appears in front of Shuji.

Haruna Wakagusa is a high school student who lives with her mother. Ichiro Yamada is gay and Haruna’s classmate. He is bullied at school, but Haruna sticks up for Ichiro. They become intimate and Ichiro tells Haruna his secret. He found a dead body along the riverside. A new body is soon found.

Taxi driver Gion Taro falls in love with one of his female passengers. When he learns that she is a famous actress shooting a film in his beloved hometown Kyoto, he doesn't hesitate for a second to apply for the last remaining acting role - as a taxi driver. Based on a radio drama, Gion Taro's odyssey is charmingly animated with paper cutout figures, set against the backdrop of scenic Kyoto.

Shunsaku was paralyzed from the neck down at the young age of 36 by a spinal injury suffered in a motorcycle accident. A blind woman named Hanae arrives to be his caregiver. Despite her frustrations with Shusaku's ill-nature and verbal abuse, Hanae also harbors a tremendous sense of being deprived that she doesn't tell others.

Screenwriter Goro Kaiba is horrified to learn via Facebook that his wife Ayako is having an affair. Furthermore, her post about the affair has received 108 likes. Absolutely furious, Goro Kaiba contemplates divorcing his wife, but he estimates he will have to pay her half of his assets, about 10,000,000 million yen, in a divorce. To get revenge, Goro Kaiba decides to use that money on a epic one month womanizing streak. His goal is 108, the number of likes his wife received on social media.

During the one-year memorial of his late beloved father, a soon-to-be father (Hoshi Ishida) struggles to reconcile his feelings of loss and receives support from his mother, sister and wife. -JAPAN CUTS: Festival of New Japanese Film

One day after school, the serious Ito and the child-like Nishi meet by chance, as each endeavors to remain walking on the sidewalk's white line. As time goes by, Ito recognizes he is drawn to Nishi in a way that is new to him. Nishi, for his part, is frustrated that they only get to meet on the sidewalk. Ito decides to act upon his feelings and kisses a surprised Nishi, who agrees they need to walk side by side for a change. The sparks between them are undeniable as their relationship blossoms in high school, survives the college years, and matures into adulthood. A deeply moving work that bears witness to loving partners, whose unchanging feelings must co-exist within a world of changing realities.

広島ジャンゴ2022

21st Century Girl is an omnibus feature that is of the girls, by the girls and for the girls. The work of 15 women directors under the age of 30, each of whom contributed an 8-minute film, the package highlights a range of genres, visions and thematic concerns.

Saki, a high school girl who always skips classes, works part-time as a life adviser.

Michiko used to work as a live-in part-timer at an izakaya, but suddenly lost her job and her house at the same time due to COVID-19 pandemic. There are no new jobs because of the COVID-19 pandemic, and diners and internet cafes are closed. Michiko is at her wits' end, but there in front of her is a bus stop that stands slightly brightly in the darkness, illuminated only by the streetlights.

Two boys meet by chance when both attempt to walk along the white line on the sidewalk. As they become drawn together and choose to walk side by side, how will their unchanging feelings co-exist within a world of changing realities?

In the end of Meiji era, Takei Chiyo was born in a poor family in Osaka, and was sent to a theatre tea room as a servant when she was 9 years old. There, she was attracted by the world of theatre comedy. She grows up to be an actor and marries to Amami Ippei , but the war broke out and she was forced to stay away from acting for a while. However, when she comes back again, her acting in a radio drama impresses many people and makes herself one of the leading actors in western Japan.

In the early Showa era, Japan’s first women’s law school opens, and the protagonist, Inotsume Tomoko (Ito Sairi), gains nationwide attention as one of the first female lawyers in the country. However, after facing wartime Japan’s harsh realities and losing everything, she becomes a judge with her legal knowledge and dedicates herself to establishing the family court. She stands passionately for the hardships that politics and economics cannot solve.