Tzavalas Karousos

A retelling of the Greek myth of Phaedra. In modern Greece, Alexis's father, an extremely wealthy shipping magnate, is married to the younger, fiery Phaedra. When Alexis meets his stepmother, sparks fly and the two begin an affair. What will the Fates bring this family? Alexis's roadster and the music of Bach figure in the conclusion.

Katina, an impoverished Greek woman, tries to arrange the marriage of her shepherd son, Thanos, to Despina, the daughter of a wealthy landowner. But Despina’s father, Vlahopoulos refuses to give his blessings.

A cynical young man, Giorgos, who believes that in this life you need to steer clear of principles and attachments, clashes with his father, captain Manolis and abandons the management of the family’s shipyard. Determined to build his life again, he gets a job as a waiter in a large hotel and believes that he can also get rich by taking advantage of the sorrows and the loneliness of the wealthy.

When an open-hearted folk man, a butcher of the profession, buys an apartment to stay with his family in a block of flats in a lush neighborhood, the tenants are colluding in order to get him away. The only defenders are the concierge and a general who will think of a clever way to correct the situation.

Η Ζαβολιάρα

The Girl of the Neighbourhood

Το χαμίνι

The heroic Souli have managed to repel the asker of Ali Pasha and his brave Malamos Dragon sends his mother to ask her hand Maro, niece of the captain Tzavelena. She ignores the hatred that separated years both Families and agrees to give her niece, but to know that Maro loves Kitsos Botsari. When the son of Fotos Tzavellas engage Maro with Kitsos, the Malamos drowns his pain and unleashes his rage against the Turks, who are trying again to get the Souli.

In Thebes in ancient Greece, King Oedipus kills his father and marries his mother Jocasta, having two sons - Eteocles and Polyneices - and two daughters - Ismene and Antigone. King Oedipus dies a beggar in the exile after gouging out his own eye, and Eteocle agrees to reign in Thebes in alternating years with Polynices. However, he refuses to resign after the first year and Polynieces raises an army and attacks Thebes, and they kill each other. The ruler of Thebes Creon decrees that Eleocles should have an honorable burial while the body of the traitor Polyneices should be left on the battlefield to be eaten by the jackals and vultures. However, Antigone, who was betrothed to Creon's surviving son Haemon, defies Creon's orders and buries her brother. When Creon is reported of the attitude of Antigone, he sentences her to be placed in a tomb alive. Antigone hangs herself in the tomb and Haemon tries to kill his father first and then he kills himself with his sword...

Ioannina, in the beginning of the 19th century. The whole Greece is under Turks. Ioannina is governed by the fierce and vulgar Ali Pasas. Ali’s eldest son, Muchtar, falls in love with a young Greek widow, Frosyni. The problem is, he’s married to the vindictive and cruel Chanife. And the muslim penalty for having an affair with a married man is death…

Βάνα

Τερέζα

A gunman, during the Turkish occupation of Greece, collides with the landlords, considering them traitors. But when he learns that belong to the Society of Friends and prepare the Revolution, would become their ally.

Triumph

Wrecks Of Life

Τα δίχτυα της ντροπής

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

Η παραστρατημένη

The emotional adventures of a modern woman lawyer (an exceptionally rare profession for a woman at that time), who, instead of the usual household tasks, is exclusively engaged in her professional activity.

Το λάθος

Άπονη ζωή