Aleqsandre Jaliashvili

A rework of Boris Sigal's play The Trial of Stepan Korolev. Set in Tbilisi rather than Leningrad is a morality tale about the hazards of alcohol consumption that is nonetheless not without humor.

When the communists decide to renovate the city and try to demolish a badly positioned church, the religious citizens decide to fight for what is holy to them.

Banned in the Soviet Union for its "negative" content and never released, Kalatozov was forced to retreat from filmmaking for seven years because of this film. The film sets out to illustrate the old adage, "For want of a nail, the battle was lost," showing how the inferior quality of something so trivial as a nail in a soldier's boot leads inexorably to the capture of an armored train. Kalatozov had intended to demonstrate the crucial and universal importance of efficiency in Soviet industry, but the government decided that his fable gave a negative impression of the Red Army's capabilities.

The Last Masquerade

At the end of the 20th century, the son of a distinguished family, Sosiko Cholokashvili, became interested in cinematography, a field unknown to the public. Despite his inexperience, financial difficulties, and disappointment, one of the first enthusiasts of Georgian cinema recorded many shots depicting the appearance and existence of old Tbilisi on tape.

1918 year. One of the southern cities is captured by the Whites. An underground Bolshevik committee is preparing an armed uprising in the city.