Reba Devi

Burmar Pathey

A Bengali Drama Film directed by Sabyasachi (Ajoy Kar & Binoy Chattopadhyay).

A 1951 Bengali Thriller Film directed by Naresh Mitra.

Set against the backdrop of the political violence that rocked India, and West Bengal in particular, in the late 1960s, it tells the story of an aged widow in a village who goes to Calcutta to stay with relatives, but faces only exploitation. She moves to a slum, and finds her "own people" in a group of educated, unemployed youth, who are caught up inexorably in the prevalent violence.

It's a story based on friendship and love. In this movie, there are three friends Satya, Shankar, and Manimohan. Satya is in love with a girl named Srimoti. After a few years, Srimoti gets pregnant. Satya shoots himself after an argument with her. Manimohan reaches the spot and takes Srimoti away to a distant place and settles down with her. Shankar thinks that Manimohan killed Satya. But the police arrested Shankar for the crime. Srimoti gives birth to a girl named Niyoti. After Shankar is released from jail, he learns about Manimohan's whereabouts. He goes there to take revenge. But after he finds out the truth, he forgives them. (Source: Angel Digital)

The story revolves around a North Indian taxi driver, Narsingh, who attempts to reinvent his life by visiting his native place, but instead gets embroiled in a local Marwari businessman's smuggling and human trafficking business. Preserved by the Academy Film Archive in 2001.

Impoverished priest Harihar Ray, dreaming of a better life for himself and his family, leaves his rural Bengal village in search of work. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1996.

A narration of the journey of a young aspiring writer. Sandhya Rani and Uttam Kumar won critical favor for their performance in the film.

When a bride vanishes on her wedding day, a web of secrets and forbidden love is exposed. Caught in the crossfire are two young women, each battling against the constraints of caste and tradition. As their lives intertwine, a powerful story unfolds about the enduring power of love and the devastating consequences of societal expectations.

A womanizer (Asit Baran) conceals his syphilis and prepares to marry for the second time. Will his first wife be able to stop him?

Aparna's father, a police officer, fixes her marriage of his own choice. Aparna does not agree with her father and she flees from home. Her father arrests Aparna's friends and interrogates them one by one.

Aparna, the only daughter and the apple of her mother's eye is engaged at a young age to her childhood friend, Ajay. After her mother’s death, her father remarries, and her stepmother begins to mistreat her. Desperate, Aparna flees with the help of Baren, a local goon with a good heart. She stays with Baren for safety and becomes involved in his group, though she urges him to turn his life around. Baren vows to protect her. One day, Aparna meets a stranger who turns out to be Ajay, and they are reunited. Baren is eventually arrested for his crimes but ensures Aparna's safety.

Pratima is a 1977 Indian Bengali family drama film directed by Palash Bandyopadhyay.

A working-class leader confronts a villainous factory owner, falls in love with the boss's daughter unaware of her family origins and, after many adventures and setbacks, it is revealed that the hero is in fact the official heir to the property the villain had usurped. An influential Bengali novelist acknowledging allegiance to socialism, Mitra's studio-bound film concentrates on showing the milieu of the rich while the dialogues make numerous references to the workers and the poor.