Sofía Palomino

"Alicia, Go Yonder" is the story of Alicia, a nineteen-year-old who sets out on a solitary journey to the end of the world only to come face to face with the immensity of the universe.

A rock concert, the irruption of the police, four friends forced to flee quickly and forget their backpack there. Friendship and adolescence combined as one, the future less than a time to travel rather than a space (a city) to discover.

After ending a long relationship, Malena finds herself in an existential crisis. Locked in her studio, she dedicates herself solely to her work as a designer, avoiding any type of human contact. Suddenly, Andrea, her mother, shows up at her door with a statement: she has just had a fight with her husband, and she won't give up until she begs for forgiveness. In the meantime, he decided that he will stay with his daughter. This invasive and suffocating presence bursts into Malena's life to bring order to chaos, chaos to order, and examine each of her actions, past, present, and above all, future.

7 year old Matías returns home from a friend’s birthday party to find his mother, Laura, unconscious on the floor. When she recovers her senses they decide to leave home and rush to a shelter for abused women where they spend 48 hours before Laura decides to rebuild her life somewhere else. Through the eyes of Matías we will discover their escape in a city where everything Matías once knew feels dangerous and foreign until Laura finds a secure place to raise her son.

Buenos Aires, 2019. Lucrecia, who jobs as a museum security guard, foresees a sharp rise in the dollar’s value with her pendulum and falls in love with a currency exchange house employee.

Heartbroken, Maite arrives at a coastal town where the few residents live out their lonely lives. The peace soon disappears, when they come across an unconscious sailor on the beach one day, prompting Maite to decide whether to move forward and create a new life or remain stranded on those shores.

Antonio wanders the streets of Buenos Aires in search of money and sex. The magnetism he exerts on the people who cross his path allows him to steal and cheat them. Only his mother, with whom he has a confictual relationship, will get over his feeling of impunity and will push him to leave for a trip to the south of Argentina.

Ana Livia Plurabelle (30) has different sexual encounters that will make her realize something she hasn't thought about before: the possibility of making money with her body.

Movie adaptation of Leonardo Oyola's novel, which tells the story of the legendary DC comics superhero, Superman, if he, instead of falling in Smallville from Krypton, would have landed in the heart of Isidro Casanova, in La Matanza, deep in the west side of Buenos Aires.

In a small Argentinian backwater town, a young woman sets out on a solitary search for her sister who has disappeared without a trace. When the family’s car appears in flames on the bank of a nearby river, Alba falls deeper into a world of bureaucratic frustrations, bringing her to the edge of despair. Her journey drags her back to the river, where a silent witness seems to provide the only calm that’s left.

An argentinian couple in a party at the countryside find that their friends are being killed. However, it's hard to find the killer, because they are completely stoned and don't know what is real or not.

A rural police officer investigates the bizarre case of a headless woman's body. The prime suspect blames the crime on the appearance of a legendary monster.

La Negra and Vicenta are two homeless women. After losing their place and belongings, they meet Pola, a younger woman who is starting out in a previously unknown reality. The three women accompany each other revealing the complexities of being a woman, being older and living on the street.

Following a bust-up with her girlfriend, Emilia returns from the city to her mother's village, somewhere in Patagonia. Her mother isn't overjoyed about Emilia's return, as this disrupts her peaceful existence. Emilia tries to decide how she wants to carry on with her life, but is confronted with people and feelings from her past. Bored and frustrated, or just looking for intimacy, she seduces a number of men, including her childhood sweetheart, but also falls in love with a girl at the school where she teaches gym – an obsession that distracts her from her broken heart and musings about the future. In his first feature, director César Sodero contrasts Emilia's inner restlessness with the immutability of Patagonia. He does this using images of impressive landscapes, natural dialogue and telling non-verbal communication. Surrounded by the peace and beauty of nature, inner chaos gradually gives way to acceptance and self-awareness.

Los del suelo

Jesús López, a young racing driver, dies accidentally leaving his town in astonishment. His cousin Abel, a drifting teenager, gradually feels tempted to take his place in life.

Time to Think proposes to address the problem of gender violence, questioning stereotypes and the ways in which women are represented in the media. Each episode poses a conflict that runs through the daily life of a woman and her environment. With a mixture of drama, romantic comedy, and humor, it addresses a socio-emotional conflict that runs through a woman's life, faced with situations that intersect opposite feelings.

A film buff, after being fired from his job, embraces his compensation in pursuit of making his debut feature: a short film for which he has neither the actresses, nor the script, nor the slightest idea of ​​where to start.

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