Daniela Bisconti

When his car breaks down, Luigi, a retired miner, meets the rebellious Anita, an orphanage refugee. Together, they have to run from the law.

Maria Garcia (Carmen Maura) is a television journalist and she's about to be a single mother. Her career foremost in her mind, she doesn't slow down even for a minute, despite her pregnancy. She is, however, taking Lamaze classes and is quite competently coping with the romantic attentions of a man she's not very interested in. It's not at all irrelevant that her news beat includes stories on terrorism, the greenhouse effect, pollution and genetic engineering, because when her baby's due date comes and goes, she starts hearing from her infant from in the womb. It is telling her that it and many other babies are refusing to be born into such a horrible world. She learns that this is true, and that the children born through induced labor are dying.

Anna comes from a violent past that has left her a recluse in her solitude.When a man knocks at the door her infancy returns....Will Anna open the door to the universe that she has created for herself to let life enter?

Clement, a young philosophy teacher, is sent to Arras for a year. He meets Jennifer, a pretty hair stylist, and the two freely share their hearts and bodies as they try to overcome the cultural and social divide between them.

La Guerre Dans le Haut Pays is a period piece set in the winter of 1797-98, during the six days leading up to the fall of Bern and the victory of Napoleon's army, when the Bern government is faced with mixed loyalties from its subjects. The population of the lower valley is divided, but the upper region remains loyal, since they have been given special autonomy and a favorable system of taxation. David, a postman, works between the two regions. His father, who is a hard-line conservative, does not approve of his relationship with Julie, who is from the lower part of the valley. Julie's father, on the other hand, is more open to the new ideas of liberation. As a result of his work, David is exposed to new ideas and becomes a believer in equality and justice.

Directors Jean-Henri Roger and Juliet Berto begin this thriller with sequences on the contemporary politics of southern France and the infiltration of organised crime into real estate development there: crime bosses were torching forest tracts to make way for their development schemes in the early 1980s. In the fictionalised story, Paula Barretto is caught in this underworld because her father was involved in the drug business, her brother is in the real estate scam, and her lover is an armed thief. Although she tries to get out of her corrupt and dangerous environment, it is not an easy task when even the police officers cannot be trusted, and the underworld has informants everywhere.