Léna Paugam

Sonia Sieff Sonia embodies the very essence of Revelations: strong creative potential, cradled by the prestige of her elders. She chooses to portray today's youth marked by their codes, their passions, their concerns. Such an important and moving subject.

Pierre and Manon are poor. They make documentaries with nothing and they live by doing odd jobs. Pierre meets a young intern, Elisabeth, and she becomes his mistress. But Pierre will not leave Manon for Elisabeth; he wants to keep both.

Thomas is seduced by Julie and tells her stories in which he was involved or that he witnessed. All of them pose the question of what links and binds us to each other. But are we capable of perceiving this singular and poetic mystery?

Sophie is far from being the model little girl one would like her to be, unlike her friends Camille and Madeleine. She always insists on having her own way, often getting into trouble, to the despair of one and all. But her mother is unbending and otherwise inclined. She will not let her get away with anything, and poor Sophie will often have to live with the consequences of her bad behaviour and learn her lesson.