Auroshika Dey

Will the relationship between an American radio host and his wife survive the ethical dilemmas of outsourced pregnancy in India?

Our life revolves around perception of truth, in our lives we act only on our ability to judge the truth. Truth though is a fickle thing, paradoxically because it only occurs in absolution; rest is only our interpretation that allows us to live in a certain subjective truth. Addl. Commissioner of Police, Sanket Pujari and the rookie officer, Sameera sit across the television screen to decipher a rare case of multiple homicides caught on camera and this case is going to test their fundamental perception of truth.

An impoverished Dalit couple from rural India hits the headlines when it is exposed that they have sold their child. The couple acquires national infamy. An embarrassed minister deputes a local government officer to investigate the case. Despite a painful truth, the child is restored to her mother, and the accused is jailed for illegal trafficking. But that is not really the solution. The aftermath is the failure of humanity.

The 'Myoho' film is a daring, eye opener, truth of life, revels the hard reality of actions in past, present and future. The first half is based in 1934 Bihar, in a small village called "Masnadih", when India, busy in its freedom struggle, witnessed a powerful earthquake. The film follows 14 characters for one day, at the end of which they all die in the earthquake. The second half is based on 26/11, the day when Mumbai was attacked, where all our 14 characters are re-incarnated. All the characters are chained to their fates created by their own past actions. The film talks about the cycle of karmic retribution, which will go on and on, but it also tells us that we are the creators of our destiny. The choices are in our hands, whether we chose love or hatred, peace or violence... What goes around - comes around, and that is the Mystic Law - "MYOHO".

When Shivaji and his family and the entire community of his village are one day forced to leave Pakistan, he is separated from his beloved mother, who once adopted him, while fleeing to India. Having grown into a respectable and feared man a few years later, Shivaji now sets out in search of his next of kin. But he also stands up for the rights of his people who are forced into forced labor by an exploiter and devotes his whole life to this task, which is why he is henceforth referred to as 'Chatrapathi'.

A boy and a girl who had an affair in school reunite via social media after more than a decade. Things are not the same as they were once. Both are married and almost strangers. They meet to create some magical moments but as they say. IT NEVER HAPPENS THE WAY WE WANT THINGS TO HAPPEN An afternoon, these two in a SINGLE SHOT will meet the strangers within them or shall we say the demons within them on a road, where they get stranded as their car breaks down. Drama unfolds with every frame and with every minute the past dominates them and the present grips them to make life changing decisions that alters the dynamics of the whole film. Will they jeopardize their marriage? Will their romance rekindle? Who is this stranger?

Devika (14), a devotee of the goddess Yellamma, is condemned to prostitution as a Devadasi. On the day her sister leaves for a brothel in Mumbai, she meets Renuka (17), a hothead from another city. 18 years later, Devika takes to the road to secretly find the woman she has loved most in the world. A Shakespearean love story in South India.