Chuck Wassil

Lawyer Ralph Anderson arrives in Tula, an amazingly remote town in the desert, as reluctant emissary of mob chief Victor Massonetti, who wants the airstrip clear for his unofficial exit from the country. Ralph's arrival has a profound effect on his estranged father, the sheriff; his brother Tip, an alcoholic deputy; and his ex-sweetheart Linda, now married to Tip. Tension builds as a small army of gangsters takes over the town. Then the situation abruptly changes...

Playwright James Lee adapted his off-Broadway play for the screen in this high-strung adaptation, directed by Joseph Anthony. In this simplistic, backroom show-business-success saga, Anthony Franciosa plays Sam, a struggling young actor who will forsake his family and take any type of menial job in order to become a Broadway star. Dean Martin is on hand as Maury, an aspiring director also trying to claw his way up the ladder of success. When Maury gets his big break, Sam wants a part in his show, but when Maury, who is unwilling to cast Sam in the production, turns down Sam's request, Sam seduces and marries Maury's girlfriend (Shirley MacLaine). In spite of everything, Maury wants his girl back, and Sam agrees to a divorce on the stipulation that Maury cast him as the star in his next show. Once again, Maury reneges and, before Sam can exact his revenge, Uncle Sam comes to the rescue and he is drafted into the army.

The Navy expects a veteran to pay for the ship he commanded, as they have no record of its return.

Aliens from Outer Space are slowly switching places with real humans -- one of the first being a young man about to get married. Slowly, his new wife realizes something is wrong, and her suspicions are confirmed when her husband's odd behaviour begins to show up in other townspeople.

While the prestigious Cannes Film Festival goes on around him, American movie producer Jesse Craig struggles to develop a pitch-worthy thriller about a terrorist plot. Before long, Craig becomes concerned that a shocking act of real-life terrorism already may be underway. Meanwhile, radical actor Bret Easton works in cahoots with a group of extremists to coordinate the hijacking of a trio of passenger planes in a devastating, multi-city nuclear attack.

Laura Holt, a licensed private detective, opens a detective agency but finds that potential clients refuse to hire a woman, however qualified. To solve the problem, Laura invents a fictitious male superior whom she names Remington Steele. Through a series of events that unfold in the first episode, "License to Steele," a former thief and con man, whose real name is never revealed, assumes the identity of Remington Steele. Behind the scenes, Laura remains firmly in charge.

Cranky but likable L.A. PI Jim Rockford pulls no punches (but takes plenty of them). An ex-con sent to the slammer for a crime he didn't commit, Rockford takes on cases others don't want, aided by his tough old man, his lawyer girlfriend and some shady associates from his past.

I Spy is an American television secret-agent adventure series. It ran for three seasons on NBC from 1965 to 1968 and teamed Robert Culp as international tennis player Kelly Robinson with Bill Cosby as his trainer, Alexander Scott. The characters' travels as ostensible "tennis bums", Robinson playing talented tennis as an amateur with the wealthy in return for food and lodging, and Scott tagging along, provided a cover story concealing their roles as top agents for the Pentagon. Their real work usually kept them busy chasing villains, spies, and beautiful women. The creative forces behind the show were writers David Friedkin and Morton Fine and cinematographer Fouad Said. Together they formed Three F Productions under the aegis of Desilu Studios where the show was produced. Fine and Friedkin were co-producers and head writers, and wrote the scripts for 16 episodes, one of which Friedkin directed. Friedkin also dabbled in acting and appeared in two episodes in the first season. Actor-producer Sheldon Leonard, best known for playing gangster roles in the 1940s and '50s, was the executive producer. He also played a gangster-villain role in two episodes and appeared in a third show as himself in a humorous cameo. In addition, he directed one episode and served as occasional second-unit director throughout the series.