Saeed Amirsoleimani

Towfigh is a rich man who has a large number of barrels and carts to distribute water, and in order to protect his interests through the exclusive distribution of water, he prevents any attempt by others in this field. But a young man named Moslem stands up to him and tries to compete with him with his small cart.

Several famous women flee from the police at night. During her escape, Shirin encounters her former fiancé, Rahbar. Shirin’s father, Morteza, and Rahbar’s uncle, are imprisoned due to involuntary manslaughter in a traffic accident. Shirin, through her friend Shohreh, becomes acquainted with a lecherous man named Jamshid, who intends to seduce her. Fariborz, the CEO of a private company, hires Shirin as a secretary. Fariborz proposes to Shirin and, after seducing her, flees. Shirin’s brother, Hamid, becomes addicted, and Shirin, through Shohreh’s intervention, has an abortion and falls into the abyss of corruption. Rahbar, having found his former fiancée after years, plans to marry her.

Osman Adi Beyk was shot dead by Haghighat. Moghan Khan took his son (Brazil) to his wife to raise him like his own child.

Sagband is a comedy and social film directed by Mehran Ahmadi. This film was the last play of Sirus Gorjestani in cinema. This film is the story of two brothers who get rich illegally after their father's death. Sagband is derived from the name of one of the techniques of wrestling.

Desiderium lyrically charts the hapless loves of a three brother: Majid, they young handicapped brother with a deformed head falls in love with Aghdas, a prostitute hired by his eldest brother Habib to entertain him, not knowing the truth about her profession. Karim, the middle brother is so infatuated with a quail that he almost completely ignores his wife and her emotions. Habib himself is in love with Foroogh, a tailor lady who lives with them, while his sense of responsibility about Majid keeps him from requiting her affections.

During the Islamic revolution a SAVAK member Amani marries a woman her name Laleh. Laleh is a doctor and helps the injures of the revolution. Her brother is too involved in the revolution.

A young man is released from prison. Three other prisoners who where his cellmates explain his political and social life in three different ways: The first one defines him as the son of an unknown father and a Polish mother who were taken abroad when his mother has been killed at the time of WWII and then he has returned to Iran as the agent of Zionists arrested while he was spying. The second one defines him as the lover of a Polish woman who is the wife of an embassy employee and is arrested through a report by the husband. The third one tells that he has returned to the country to take his wife's jewelry and is arrested mistakenly.

A group of Iranian classical musicians in the Ghajar era try to release their first record, which takes them on a journey to France.

The film follows a character known as The Cinematographer, who is looking for someone called Atieh (Future). As he calls out to her, he is magically transported back in time from the early twentieth century to the reign of Naser al-Din Shah in 19th century Iran. Captured by the Shah's guards, he shows films from the history of Iranian cinema to the Shah. The Shah is entranced and eagerly shows his family the apparently magical medium.

The series begins with history teacher Nima Zande-Karimi (Siamak Ansari) realizing that his extensive research on Persian and world history is of little use to financing his day-to-day life. He is about to leave Tehran for good to go back to his hometown by the name of Darab, when he comes across young university student Roya Atabaki (Sahar Jafari-Jozani) who is researching for her final year dissertation, which is regarding the period 1198–1203, that is said to be a period of turmoil for Iran's ruling elite. Such turmoil that, very few books are available on that period for Roya's research. It is then that Nima receives an anonymous telephone call, which leads him to Niavaran Palace (currently a museum), where he is told to have a coffee and wait. The coffee (which is bitter) is ready and he duly drinks it, his sight becomes hazy, and when he manages to refocus he is in the year 1201 (1822 AD), and the story develops therein.

Hezar-Dastan was an Iranian epic historical drama television series from 1987, developed and directed by Ali Hatami. Hezar Dastan is considered one of the most important and most influential works of art in the history of Islamic Republic of Iran Broadcasting. The production of the show took almost 8 years, starting in 1979 and ending in 1987, during which Hatami established a large set to represent Tehran in both Qajar dynasty and World War II, retroactively creating Iran's first movie studio and backlot (named Ghazali Cinema Town). The show tells the story of Reza Khoshnevis (also known as Reza Tofangchi), and his life and entanglement with corruption in government, and trying to correct it using not conventional means. The story is split into two section and it features Iran during the turbulent times of the latter days of Qajar Dynasty and during the events of World War II and Anglo-Soviet invasion of Iran.

Koroush Afsharjam (Behnam Tashakor) is an unpopular Iranian scientist that invents a new powder that can turn dirty liquid into drinkable water. He gets a call from Paris indicating that he could come to Paris and announce his new invention to the world. After he gets in a car crash, laying on the ground, Gholam (Amin Hayaei) decides to still his samsonite bag without any idea of what it holds. After Gholam becomes wanted by the police, he decides to use Koroosh's passport to go to Paris. After finding out what the powder does, he decides to sell it and get the money at any cost. His stupid brain and not knowing anything about English or Europe make this Hilarious character even better.

It is the story of a man who returns to the city he ran away from after eleven years.