M. Osman

A period drama with Malay symbolisms, myth and folklore, the title Chuchu Datok Merah points to the mental image Malays have of themselves as descendants of Hang Tuah, the legendary Malay warrior of Malacca. Awang Janggut is very much a pseudo-warrior. Instead of a “keris”, a warrior’s weapon, he owns a prize-winning rooster. His battlefield is the cock fight arena. Home is a big but empty house inherited from his ancestor, and prefers living in poverty to working. The closest he comes to the high life of a warrior is when a rich businessman employs him as a bodyguard after he prevents hooligans from taunting the latter’s daughter Siti. Despite knowing Awang is married, Siti continues to flirt with him, causing him to leave his pregnant wife alone. She eventually falls sick and has a miscarriage. The film is a social criticism of people who rest on their laurels and ancestry instead of working for themselves. It is also one of the finest examples of the anti-hero in Malay cinema.

This is a film about a Malaysian soldier, Lt. Adnan, who gave his life in defending Malaya from the Japanese invasion during World War II. It exemplifies an example of the patriotic spirit that should be in every Malaysian. Lt. Adnan was a courageous individual who was willing to give everything, including his life, for the people and nation. He also succeeded in destroying the widely held myth that Malays were good only as rebels and pirates. He believed that no matter what, as a patriotic citizen, one had to fight until the last drop of blood to defend the nation.

The film is about a women reporter that trying to uncover a dark side of a well known business man after the death of his lover.