Anahí Hoeneisen

Aurora, a divorced woman, receives a call from her 14 year old son's principal to let her know that he is being expelled on the last day of class. In an attempt to reach her son, she fights to fulfill her duties as a publicist, daughter, sister, and single mother. Meanwhile, her son deals with the insecurities of growing up. A chaotic city and an outdated education system trap mother and son in an increasingly impersonal world.

Afraid to face upcoming parenthood and the ultimate deadline for his long-awaited novel, a once-promising writer develops a crush on a defiant muse, the 16-year-old girl next door, and escapes into a second adolescence, alienating his partner and those who care about him.

When Luisa, 45, returns from a psychiatric clinic after a bout with severe postpartum depression, she enters a new confinement in her dazzling home, surrounded by family members and a brigade of servants who expect her struggles to remain invisible. Unable to continue playing the role of the perfect housewife, Luisa's only escape is to waltz elegantly into madness.

One day five women from Quito, friends in their teens, decide to get back together after fourteen years. Helena is waiting for her second child, Marina lives the ups and downs of infidelity, Diana, an early widow, shares her loneliness with her 15 year old daughter and Tamara has not abandoned the random life of nightclubs, men and drugs. The purpose of their get-together is to visit their old classmate, Alejandra, who is consumed by an illness.

Inside a theater of a shopping center, several actors rehearse a new play. A recognized actor with delusions of greatness and vanity, faces his decay, making the rehearsals unbearable.

Todo lo que muere