Sara Melleri

Emilia is a teenager and a good girl, who never forgets her homework or her little sister, Elsa. Siiri is just one year older than Emilia but not at all like her. When Emilia and Siiri become friends, Emilia's life changes. Siiri encourages her to take a leap, shake the rules and leave princess dreams behind. These two will have fun together, but not only good times

In 1980's Helsinki, a city about to burst with young energy and rebellion, two young writers determined to conquer the world fall madly in love. For Inka, the love affair puts everything in motion: she finds her own voice, publishes her first novel - and becomes a sensation. The intensity of their relationship has a different affect on Juhana, who starts to lose his grip on writing and, finally, life. At the height of the love affair Inka starts to suspect that their mad love might actually be real madness.

Self-Accusation is partially based on Peter Handke's 1966 play of the same title. Handke's text is dramatized in a video within the video. In the frame narrative, the maker of the video receives a violent critique. The work deals with submission, living by the rules, and dreams of beauty and freedom.

Hanna teams up with her sister and counterculture friends to create a parody romance on Instagram between herself and young actor Ekku. Hanna starts living a crowd-pleasing love story for the public, only to find herself tangled up in the unresolved past with her “you were never my boyfriend” friend Lasse, who also happens to be the real-life co-writer and cinematographer of Fucking with Nobody. Fiction and auto-fiction crash and melt into each other, as writer-director Hannaleena Hauru plays the lead role of an ever-single film director Hanna.

Taavi,the enigmatic 18-year-old lead, has just inherited his long-deceased wealthy parents home and estate. It is high school graduation and Taavi's birthday, and after his fiends greet him au natural and are arrested, Taavi invites his friends to the mansion for a wild party. Taavi lives with a recording camera to his eye, a machine that allows his to keep interpersonal distance from everyone. Among his friends are Jere who considers himself a woman's man, Markus (who appears the well-adjusted one, and chubby, pierced Sami whose sexuality is ambiguous. The party gets wild, guests sleep around, and Taavi records it all!

This melancholy, dryly comedic Finnish-language film is the fourth of a five-part series on minority languages in Sweden.

Cosmetics saleswoman Kirsi Viilonen dreams of a career as a star artist. When Kirsi meets DJ and radio journalist Paula, she decides to give in completely to her dream of becoming a singer. Despite the scorn of the male-dominated music world, Paula recognizes the star in Kirsi and together they get her a recording contract. Kikka's career takes off when her nipple is accidentally flashed on a TV show. Kikka immediately becomes a national celebrity and one of Finland's best-selling female artists.

The movie is about the Lokomo laborer, and group of friends that dreams come true and a thirst for fast-paced life that take decades.

Four Olympic gold medals, seven World Championship titles, four World Cup tour championships, and forty six World Cup circuit victories. Once his career as a professional athlete ended however, the other side of his personality emerged into public view in all of its vulgarity. An alcohol dependency, several marriages accompanied by numerous marital problems, petty crime, uncontrolled acts of violence, and greedy hangers-on.

Three astronauts are turning in for the night in their spacecraft. As they lie in bed they start to recount their thoughts.

Drug Crime Detective Oskari is the envy of his colleagues. His connections to underworld and informants is unrivaled. What they don't know is the mother of his child, Krista, is a drug addict who lives in that world. And now she's back in his life, shaking his home life on one hand, and offering new connections to knocking down the rise of drug imports. If only he could trust her.

Kaverille ei jätetä

Like good soldiers in a war-zone, hospital staff are expected to respect the chain of command when dealing with life and death situations. But what happens when smug doctors, arrogant surgeons, and out-of-touch administrators make that easier said than done? Nurses deals with the professional and personal lives of four female colleagues who cope in different ways with the challenges of life on the trauma ward. With determination, strength, and a dark sense of humor, they achieve the demanding and inspiring task of saving lives in a system that sometimes seems designed to do the opposite.

Rakastuin mä luuseriin

Irtiottoja

Like good soldiers in a war-zone, hospital staff are expected to respect the chain of command when dealing with life and death situations. But what happens when smug doctors, arrogant surgeons, and out-of-touch administrators make that easier said than done? Nurses deals with the professional and personal lives of four female colleagues who cope in different ways with the challenges of life on the trauma ward. With determination, strength, and a dark sense of humor, they achieve the demanding and inspiring task of saving lives in a system that sometimes seems designed to do the opposite.