Yōyō Kojima

The unfortunate Sumiko is sent from place to place: to live with her alcoholic uncle, then sold to the circus, then adopted by a wealthy family, and finally sent to a Christian orphanage.

Kanji Watanabe is a middle-aged man who has worked in the same monotonous bureaucratic position for decades. Learning he has cancer, he starts to look for the meaning of his life.

Three humorous love stories set in rural Japan.

The premature death of a young mother serves as inspiration for her husband and son.

This epic depicts the battle between Uesugi Kenshin and Takeda Shingen. The focus of the story is the struggle by the unit leader in charge of the main supply wagons and the supply troops to transport materiel to the Uesugi army. To this are added episodes involving an itinerant woman.

When Kaoru's sister-in-law Miyoko arrives at the family home, tender feelings start to grow between the two. However, the initial happiness that Kaoru finds in the company of her beautiful sister-in-law is frustrated by her brother Mitsuo, Miyoko's husband, who intervenes in their budding passion. Full of unspoken words, deeply suggestive mise-en-scène, and forbidden glances, Fukujuso is a compelling melodrama that surprises us with its potent homoeroticism, especially considering its year of production.

A Japanese army engineer (Hasegawa) on the mainland must put his personal feelings for a beautiful Chinese woman (Ri) aside if he is to succeed at building a highway through the "bandit"- (aka anti-Japanese militia-) infested hinterlands.

One of the earliest Japanese cop films following a mysterious killing on the last train to Mitaka, Tokyo.

Based on a 1956 television feature on Japan’s national network, NHK, this is one of Uchida’s rarest films. A socially conscious drama with a contemporary backdrop, Dotanba focuses on the attempts to rescue a group of trapped miners. The title is a figure of speech — (essentially “last minute” or “eleventh hour”) — that refers to a situation of peril. The film boasts a script co-written by Uchida and Akira Kurosawa’s frequent screenwriter, Shinobu Hashimoto, and stars Kurosawa’s frequent star Takashi Shimura.

Mother's Melody

Jidaigeki from 1940

A film dealing with the comings and goings of individuals in the immediate postwar period.

Shot mostly in Tokyo, this comedy depicts two Chinese tourists who have travelled from their country to Japan in order to experience the latter country.

Song of the White Orchid was a co-production of Toho and Mantetsu, the railway that served the colonial region of Manchuria, and the first film in the Kazuo Hasegawa/Shirley Yamaguchi (Ri Koran) “Continental Trilogy.” Handsome Hasegawa (representing Japan) runs up against an impertinent Yamaguchi (representing the continent); not surprisingly, in the course of the film the woman comes around and realizes the benevolent intentions of the Japanese. In Song of the White Orchid Yamaguchi leaves Hasegawa, who plays an expatriate working for the railway, because of a misunderstanding. She joins a communist guerilla group plotting to blow up the Manchurian railway. Learning of the subterfuge that led to the misunderstanding, she renews her faith in Hasegawa—and by extension Japan—and tries to undermine the plot.

Story of a bandit king.

Hikoroku Laughs a lot

Enoken's anachronistic take on the beloved (and already very funny) Edo-period novel "Shank's Mare," aka Tōkaidōchū Hizakurige, in which Yaji and Kita, two plebeian nobodies, have all sorts of strange and colorful encounters on the long road from Edo to Kyoto.

A sad love story between young Umihiko Kojima and a beautiful girl named Yukiko Shino.

A film by Kiyoshi Saeki

A romantic melodrama about the shifting relationship between Ryosuke and Miki as their precarious employment and social circumstances shift around them.

Jidai-geki about the life of Yasubei Nakayama, a famous ronin who did participate in the revenge against Lord Kira Yoshinaka as detailed in Japan's famous epic Chushingura

新遊侠伝

Hide-chan (Hideko Takamine) and her family are on a trip to Tokyo. While visiting a fairground, a pickpocket (Kamatari Furukawa) steals the father's wallet. While everyone is trying to hunt down the thief, Hide-chan decides to make the most of it and enjoy her stay, while the thief and his main pursuer (Akira Kishii) play hide-and-seek among the funfair's spectacles and freakshows

Set in Qingdao, China, a Japanese company locates an office there and begins work and cooperation with a local Chinese company for business. Many Japanese engineers also move to China, with their families, for the company in order to construct a canal. There are young Chinese resisting the Japanese in this area.

Tadashi Imai 1946 movie

Story of a bandit king part 2.

A modern take on history with songs and comedy presented by Enoken (as Gonza), Fujiyama (as Sukeju), and Kasagi (Gonza’s wife Osaki).

あゝ洞爺丸　

When Japan entered into the great tragedy that was unforgettable, the general general of the history of the Ming Dynasty, hokudai Yamashita, left the Malay front and occupied Singapore at once, and was praised as a "Malay tiger." However, the situation in Japan changed steadily by the failure of Sai pan from the GA Talca translation.