Andrey Dymshakov

There are two of them: a mother and a girl. They have no names. And they are in a constant run. The mother runs away from the daughter in an attempt to start new life, and the girl runs after her mother as she has no idea how to live without her. This endless run is full with repeated mistakes and resembles a barrel-organ sorrowful song or a spinning-top rotation. This small ridiculous toy "volchok" was the first toy in the girl's life, the only thing that tied her with the mother.

As punishment for fighting with a superior officer, Grigory Vlasov is exiled to a small unit located in the Urals, where almost everything is led by women. However, the heart of the exiled major has not yet recovered after the last romance, so he ignores flirting of local ensigns until the beautiful Natalya, the leader of the local women, warms his frozen heart. But office romances are not welcome in the army ...

In the old house, but in the heart of the big city lives a Russian intellectual Chekhov's tailoring Ilyin. He lives a quiet-peaceful and for the time being do not know what in the old closet is the entrance to a mysterious cave and magic the room from which you can easily get to any capital in the world…

Five friends – a poet, an actor, a painter, an architect and a primitivist film director – are five red avant-garde artists who try to find the embodiment of their hopes and dreams in the young Soviet state. The Revolution is boiling up like a bottle with apple cider: winged service dogs and heart-shaped potatoes, dead Semashko, the People’s Commissar for Health, and cheerful angels, love for the Tsar and love for the young secretary Annushka, executions and pregnancies – everything is interlaced and inseparable!

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