Renee returns home one Saturday after giving an early morning piano lesson. She lives in the provinces with her husband Juan and their five year-old son Santi. Over breakfast, they discuss a possible move to Buenos Aires but rule it out after Juan provides a reasoned argument against it. He suggests a family trip to the beach. Renee proposes for Juan alone to take Santi to the beach while she takes her ailing mother Virginia to the country. The film bifurcates as the narrative alternates between the two excursions. Renee picks up Virginia at an assisted-living facility; they drive to a rustic cabin, sit by the fireplace and later take a walk in the forest. Juan and the inquisitive Santi travel further, to an almost empty beach, walk down a pier, build a castle out of sand, and meet two fishermen who entertain the boy with sea tales and teach him how to gut a fish.
Buenos Aires movie director, very fond of the legend of the King of Patagonia and Araucania, decides to make a movie about it. Despite of financial troubles, technical problems, misfortune and desertions, he undertakes the journey to Patagonia for the film with a second-rate actor company. Neglected by the producer and shortly after by the company, he will make the movie alone, in a surreal landscape like mad.
Abril tries to find meaning in her own life. In the process, her perception changes; her skin transforms to the point of becoming a new one.
Cristina's life is thrown into turmoil when she is suddenly escorted from her strict Catholic school in Buenos Aires and told that she is really Sofía Lombardi, the daughter of activists who disappeared in the '70s. Questioning everything she once thought true, Cristina embarks on a journey to find her true identity. Meeting others like herself, the young girl soon discovers the real-life horrors of Argentina's relatively recent past and the nightmare that claimed tens of thousands of lives during the country's "dirty war."
In 1930s Argentina, dim-witted Rufino and Jacinto are hired as tough guys ("guapos") by political boss Malatesta to intimidate his opponents, rig elections, etc. However, the two men change allegiances when they meet the lovely Mercedes and La Mendocina, victims of Malatesta and his gang.
Empty Nest tells the story of a couple who have to struggle to find themselves after their children grow up and move out. It starts out as a fairly simple story of a couple but becomes complicated by a series of events that may or may not be occurring only in Leonardo’s mind.
Ana returns to Buenos Aires to claim her inheritance. She meets her father's close friend Dr. Benedetti, a scientist, where he has discovered a doorway to another dimension which allows Ana to reconvene with the dead.
In 1847 Buenos Aires, a young noblewoman and a young Jesuit fall in love, much to the disapproval of her family and the Church.
A dynamic young man falls in love with his own boss, a married businessman, with two children.
A wave of anonymous attacks will capriciously unite the stories, leading them towards an inexorable end.
El hombre
Antonio Cruz is a good country doctor who hides a secret that has filled him with resentment and anger. One day he snaps and decides to kill a neighbor for each sign of the zodiac. His sister Laura, a police officer, and her ex-husband Paul, the neighboring town prosecutor, investigate the mysterious crimes.
Amo y señor
