Evi Rauer

When two half-sisters, thirteen-year-old white-haired Sigrid and seven-year-old black-blooded Saara meet for the first time, it turns out that their common grandmother has been taken to a nursing home. The girls come up with the idea to steal him from there and hide him in the attic where they can be with her undisturbed. Everything goes well beyond expectations until drunkards, thugs and extortionists intervene and the girls have to act decisively to escape from them.

In September 1944, Estonia is on the brink of being released from under the occupation of Nazi Germany only to be seized by the Soviet army. This film follows the destinies of two women - Maarja and Leeda - and two men - Gert and Mati - under the harrowing influence of war and foreign occupation.

Toomas Joller has been an actor for twenty years. Joller is popular and has been awarded the honorary title of People's Artist. But Joller's star is gradually fading. He becomes egoistic and self-centered, his performances remain superficial. An actor's internal combustion requires hot water, which Joller uses in abundance together with his friend, the comedy actor Ruts.

There are three children growing at Tammaru farm - one boy, Margus; and two orphan girls, Mari and Tiina. Margus' parents want him to marry Mari instead of Tiina as she is more their kind. Hotblooded Tiina is completely different from them and her mother was once executed for being a witch. Thinking that Tiina has bewitched Margus, Mari starts to publicly accuse her stepsister of being a werewolf.

When Paul Runge, a soldier of the Red Army, returns home to Koordi after the war, he sees that, despite the new regime, life in Koordi hasn't changed. It's still a abandoned, uncultured Estonian village, where rich landlords still oppress the population. Runge starts talking about founding a kolkhoze.

After the war, young yachtsmen from the coastal town deal with daily work, training and competitions without knowing about the downside. Suddenly, mysterious events start to happen, testing the vigilance, ideological and moral beliefs of the local people.

The story of the distressed residents living in poor slums during the economic crisis of the first Estonian Republic in early 1930s. It is the life in the backyard both literally and symbolically. Based on the story "In the Backyard" by Oskar Luts and the drama play directed by Andres Särev.