Sérgio Lulkin

Two friends try to get to a restaurant for dinner and get lost in the labyrinth of bars, walls and fences in a city.

Deu Pra Ti Anos 70 is a Brazilian film, shot in super-8 in 1981 in the city of Porto Alegre. It tells the story of the meetings and disagreements between Marcelo and Ceres through the 1970s, in bars, dance meetings and camps. It has the special participation of artists who would become important in the gaúcho music scene, such as Nei Lisboa, Júlio Reny, Augusto Licks, Wander Wildner and Carlos Gerbase. It was the first film by actor Werner Schünemann.

Eder (Lázaro Ramos) is arrested after confessing the murder of a man. Duca (Darlan Cunha), a 15 years old boy who is Eder's nephew, wants to prove the innocence of his uncle, he's sure that his uncle confessed the crime to protect his girlfriend, Soraya (Deborah Secco), ex-wife of the deceased. Duca also wants to win the heart of Isa (Sophia Reis), a classmate who seems more interested in his best friend, Kid (Renan Gioelli). To be able to prove his theory, Duca gets help from Isa and Kid.

Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. As the matriarch of a big family, she is involved in the daily lives of her children, grandchildren and other relatives. Undeterred by the typical problems of old age, she uses her many years of experience to solve problems in the best way possible.

In the 1970s, in the midst of political repression and the ideology of the "Brazilian miracle", a group of teenagers live their daily concerns: the future, nights full of dancing, dating fights, conflicts with their parents. For three days they live their green years, a little more than a dream.

When they discover their town lacks funding for a sewage system, but does have a federal grant to make a movie, a group of villagers decide to make a sci-fi joint about a monster who lives in the building site of a septic tank.

Stênio, the nightshifter of a morgue, has the ability to communicate with the cadavers that are brought to him every night.

Written in 1625 by the British playwright Ben Jonson, the play “The Staple of News” provides a historic root for this discussion about the role of the press in modern day Brazil. Journalists of several generations discuss the dilemmas of the selection and focus of their subjects, the resistance of the media in accepting itself as a political agent, the inevitability of interpretation as there are no hard facts in nature, and above all the search for an always complex balance between credibility and the public’s growing demand for news.

Betrayed wife of a powerful and corrupt Senator, turns him in, and his fraud schemes and lies are exposed. After one of his lovers commits suicide, he has his illegitimate son kidnapped and taken to a decadent seaside resort in the country's extreme southern coast. The Senator chooses another former lover to take care of his son, and the two of them become involved beyond that of a mother son relationship.