Morten Bjørn

Maybe the best thing to come out of Scandinavia during the hippie years was, in fact, the story of a radical libertarian and a hedonist capitalist. Their friendship, forged by being outsiders in a conformist country, took them through years of adulation and success, with slight detours into the welcoming arms of vilification and imprisonment. A joyride through taxation, mass travel, hookers and politics. Not feeling too constrained by historical facts, director Christoffer Boe's story of Simon Spies and Mogens Glistrup covers just a few of their decades in a tale of warmth and humour, defiance and eccentricity.

Ditte and Louise are two middle-aged actresses who realize that the only thing the industry has left to offer them are roles like mothers or as elderly prostitutes. That is why Ditte makes a radical decision: She dresses up like a man.

On his quest for happiness, Per decides to leave Jutland and an upbringing in a strict religious home. He runs from his family and his patriarch father, and sets sail towards Copenhagen to become an engineer. Parallel to his studies, he works on a visionary energy project based on wind and wave energy, a project so much ahead of its time, that professors consider him insane and far too self-confident. However, Per’s project becomes a success and he marries the beautiful Jakobe who is a part of a wealthy Jewish family. One would imagine that Per’s happiness now is made. But Per’s childhood keeps haunting him and his dogmatic family cannot accept his new life. Despite his luck and success, Per is unable to fully cut the strings to his strict religious background, and he now fears that he will repeat his father’s patriarchist behavior.

Emma has a perfectly normal family until one day it turns out her dad, Thomas, is transgender. As Thomas becomes Agnete, both father and daughter struggle to hold on to what they had while accepting that everything has changed.