Lawrence D'Orsay

Director Frank Tuttle's 1925 silent mistaken-identity comedy, adapted from the 1923 play "Little Miss Bluebeard", stars Bebe Daniels.

Geoffrey is desperately in love with Mavis, who lives at his boardinghouse and is also pursuing a writing career. Unable to marry her because of his poverty, in his anger he curses God for abandoning him. Soon Geoffrey meets Prince Lucio de Rimanez, a wealthy, urbane gentleman who informs Geoffrey that he has inherited a fortune, but that he must place himself in the Prince's hands in order to enjoy the fruits of his inheritance. What Geoffrey doesn't know is that Prince Lucio is actually Satan.

Follows three generations of the Mayne family through the year 1921-22. The 81-year-old patriarch reminisces about his rough beginnings in post-Civil War railroading, son Rufus rides rough waters as a wealthy financier, and his wife and three daughters muddle through their New York high society life.

Harry Leon Wilson has written nothing more diverting than this story of the irreproachable English valet who is lost in a poker game to a rough-and-ready westerner and taken to Red Gap ultimately to become its social mentor and chief caterer, and there is sheer delight in the story of how the Earl, brought over to save his younger brother from the vampirish clutches of Klondike Kate, makes the lady his Countess and once more stands Red Gap upon its somewhat dizzy head.

For the sake of his impoverished mother, Joe Newbolt bonds himself to harsh Isom Chase. Ollie Chase tires of the difficult life her husband has forced on her and plans to elope with Cyrus Morgan, but Joe's sense of honor forces him to intervene. While Joe is trying to persuade Ollie not to proceed with her plans, Chase discovers him with his wife, misunderstands, reaches for his gun, and is accidentally killed. Joe protects Mrs. Chase, though he is accused of murder, tried, convicted, and sentenced to be hanged.

An English circus clown finds he's lost his touch after returning from war.