Josef Dabernig

Three men, three cars and three obsessions: automatic is a rhythmical and pulsating tribute to the garage and the engine, but most of all to the car as a fetish. The hot Latin beats fill the garage with music.

An enlightened response to Austria's breathless cinema, a cinematic ricochet with trance flavour enhancers. Cinema which evidently appears to come from a completely different world precisely because its manner of dealing with this world is so uncompromising.

Two actors in the roles of a soccer team's coach and assistant coach watch an "important" game. In many ways, "Wisla" is a highly successful excercise in the art of properly placed marks of elision.

Daily routine in an empty restaurant car on a long-distance train. Deserted tables, a slow-moving staff. The waiter leans at the window, unhurriedly cleaning his fingernails. The cook and the waitress bide their time patiently. Gestures of waiting. Communication no longer seems necessary, as the well-coordinated routine functions smoothly without it. Only the train´s clattering on the rails is audible - an monotonous and soothing sound. This monotony is echoed in the forced lethargy of the restaurant-car staff. It seems to be a ghost train, a train without passengers. Then the tableau comes alive as if wakened by an inaudible signal. The three figures begin to sweep and wipe: The car must be cleaned thoroughly before it reaches the terminus.