Vladimir Georgiev

A thirteen year old kid, "the boy", lives and works in a cemetery. The cemetery is his whole life, and growing up with the dead instills in him an obsession and respect for death. His friends depend on him: An unhappy old man, a former political prisoner yearning for death, and makeup artist for deceased, a former artist who dreams of painting a masterpiece. The boy does what he can to help them. The old man attempts suicide, but upon learning the date of his death and seeing his beautiful plot chosen for him by the boy, he is able to bear his life. Upon meeting the beautiful Maria, "the boy" gives the former artist a surprise date with her. But when Maria and the artist become closer, the boy realizes that she is the daughter of the old man. The kid thinks the old man would die unhappy if he knew of her existence and so decides to hide the truth.

A young man has trouble communicating with people and is seeing a shrink. He falls in love at first sight, then meets three friends and joins their small community. The four youngsters naively decide to make some easy money by blackmailing an elderly woman. Little do they know that a stranger with a shady past and problematic present will turn their lives upside down. A story about love and despair, hope and disillusionment, revenge and revelation.

The seven year old Aya spends a lot of time in the theater because her farther, Asen, is an actor. One night Aya falls asleep in the control room. After the end of the show, intrigue, betrayal and tension in the theater group gradually escalate. Asen's illusions collapse, when he finds out that the television star, Boyan, will replace him in an upcoming premiere. Aya's father provokes a scandal, which turns into a drunken brawl. Will Asen succeed to rediscover himself with the unreserved support of his wife and the selfless love of his daughter?

The film is an insight into a teacher's soul and a contemplation upon his teaching fate. This portrait of a unique, experimental filmmaker and teacher Martin Čihák takes a look at his teaching methods, his meetings with his students at FAMU and at a park where they work with film, or in his studio.