Henrique Vera-Villanueva

This is the first of Diego Risquez’ trilogy of avant-garde cinematic treatments of historical subjects. Using a painterly style, it features portraits, still lifes, and scenes shot as tableaux vivants, the film provides an experimental interpretation of the arrival of the Spanish and their domination of the New World, as well as the Venezuelan Independence movement, focusing on the role of Simón Bolívar. There is no dialogue or narration, simply a musical score and the depiction of events from Bolívar’s career.

The Orinoko: main character in the film. The first part is set during the pre-conquest and is represented as an earthly paradise. A shaman has precognitive visions: go to Columbus and the Catholic missionary in 1498.

Gaspar Urbieta works as a typographer in Maracaibo. The National Guard convinces him to infiltrate an organization of Colombian gold smugglers. Gaspar will experience situations of fear, humour, intrigue and romance with a beautiful and enigmatic blonde. His secret will be so incredible that if he told it, no one would believe it!