Charles Castella

Revolt on a prison island is a parable of workers revolution. A cruel and repressive penal colony is the setting for a prison revolt with a special twist...the prisoners want to stay on and govern themselves in a humane and productive working community. Well that's the theory anyway but circumstances make their venture a lot more complicated than that.

The Loves of Madame du Barry was the American title of the 1935 British operetta I Give My Heart, based on the stage musical The Du Barry. German actress Gitta Alpar stars as Jeanne, the young 18th century Parisian milliner who sleeps her way to the uppermost rungs of French aristocracy, emerging at last as the glamorous Madame du Barry, mistress of Louis XV (Owen Nares). Refusing to gloss over du Barry's sexual peccadilloes (as previous films with Norma Talmadge and Dolores del Rio had done), the film presents the "heroine" as a whore, pure and simple-or, on second thought, not so pure and simple! Particularly troublesome for American censors was a scene in which du Barry is depicted as a resident of a bawdy house. Otherwise, The Loves of Madame du Barry is standard historical-drama fare, allowing dozens of top European actors to play "dress-up" for 90 minutes.

As he pursues Joan Blossom, ruined gambler Jeff Cheddar is mistaken for two-faced financier Jay Cheddar, eventually leading to Joan's stockbroker father, Sir Henry Blossom, investing heavily in a supposedly worthless gold mine. Financial chaos ensues in a farcical comedy of confused identities, romantic entanglements, and a fortune hiding in a hat.

Two nightclub cloakroom attendants become entangled with an enemy spy ring in an adventure that takes them to Paris.