Chris Finch

When two ecologists break-in the laboratory of Dr. Belmont, they find a box with a subject and they decide to set the experiment free in the woods. During the transportation, the box opens and releases the mutant Tasmanian Devil that devours the two activists and escapes to the woods. Meanwhile, Dr. Belmont's son Hunter travels in a van with four friends to film a horror movie in the cemetery in the woods, while Belmont and his associate Dr. Christine Kollar seek their deadly experiment called Precious.

Who's That Girl: Live in Japan contained a live date from the Who's That Girl World Tour, filmed at Korakuen Stadium in Tokyo, Japan on June 22, 1987. The tour supported her 1986 third studio album True Blue, as well as the 1987 soundtrack Who's That Girl. It was Madonna's first world tour, reaching Asia, North America and Europe. Musically and technically superior to her previous initiative, the Who's That Girl Tour incorporated multimedia components to make the show more appealing.

The Shoemaker kids are enjoying a quiet summer vacation in the country, until they discover a friendly little Sasquatch.... and the adventure of a lifetime.

After a horribly unsuccessful train robbery, the surviving gang of thieves begin to suspect they've been set up.

Shakespeare's tragic tale about two young lovers and their warring families as re-told by Mercutio.

In "Ciao, Italia! Live from Italy" Madonna visits the land of her noble heritage for this high-energy concert video filmed in 1987. It contained footage from a previous TV special of the Who's That Girl World Tour, Madonna in Concerto, broadcast in Europe in 1987, filmed at the Stadio Comunale in Turin, Italy. The video release also contained footage from shows recorded in Florence, Italy and Tokyo, Japan. The tour supported her 1986 third studio album True Blue, as well as the 1987 soundtrack Who's That Girl.

Matt Hobbs is a talented but unsuccessful actor. When estranged (and strange) ex-wife Beth dumps their daughter Jeannie on Matt, father and daughter have a lot of adjusting to do. His budding relationship with attractive production assistant Cathy Breslow is made complicated, while the precocious child is overly accustomed to getting her own way. Matt eventually faces the choice of family vs career in a particularly difficult way.