Litja Ilmari

“Tukkijoella” (Log River – 1928). Films of this genre gave the Finnish cinema and the viewing public one of its most popular characters – the lumberjack (tukkijatka, tukkipoika, tukkilainen) who at his most heroic hour becomes the log-roller or the shooter of rapids (koskenlaskija). The significance of this character in Finnish film is comparable to that of the Cowboy on American cinema. He is the pioneer, the wanderer, the adventurer. He negotiates the frontier, he is an embodiment of the conflict between wilderness and civilization.

Justina urges Pete and Runt to get a job. As a result they meet an orphan boy named Otto while working as a park nannies. They offer to shelter the boy, but at the same time the father Antti, who has returned from the sea, is looking for his son together with Miss Raikas.

Suviyön salaisuus

Wintery forest and stubborn 16 year old girl dazzle the teacher from Helsinki.

Synnin puumerkki

Neljä naista

Immersed in his research work, professor Reinhold Varavaara realizes that he has neglected his children's upbringing. He falls in love with his son Pelle's girlfriend Marja and becomes a laughing stock in the eyes of his family. The offended father sets out to discipline his ill-behaved children.

Prinsessa Ruusunen

Niskavuori's Aarne (Arne från Niskavuori) is a Finnish drama film from 1954. It is based on Hella Wuolijoki's play Niskavuori's Bread. In chronological order of the Niskavuori series, the film is the fourth. Aarne has married Ilona and left the house in Niskavuori, which he hosts, where his former wife Martta still lives, while the old mistress is holding the reins. Aarne and Ilona live in Helsinki, but Aarne has not been able to completely break away from Niskavuori, but keeps secretly in touch with the headmaster and gives instructions on the farm management.

Kahden ladun poikki

Kirkastuva sävel

Rakkaus on nopeampi Piiroisen pässiäkin

Kyläraittien kuningas