Carl Hegemann

FOREIGNERS OUT! SCHLINGENSIEFS CONTAINER is a thrilling, insightful, funny chronicle and reflection of one of he biggest public pranks and acts of art terrorism ever committed. Austria 2000: Right after the FPÖ under Jörg Haider had become part of the government, the first time an extreme right wing party became state officials after WW2, infamous German shock director Christoph Schlingensief showed a very unique form of protest. Realising public xenophobia and the new hate politics in the most drastic ways possible, he installed a public concentration camp right in the middle of Vienna's touristic heart, right beside the picturesque opera where hundreds of tourists and locals pass by daily. And it was no concentration camp you had ever feared to return from the old times, but one that cynically reflected our new multimedia culture. Satirising reality TV shows, "Big Brother" especially, a dozen asylum seekers were surveilled by a multitude of cameras, could be fed and watched by.

After her mother's death, 15-year old Mia moves in with her aunt, the actress Cleo, who lives with her son Fritzi in a shared apartment in Berlin. Mia lingers for stability and attention but in between Cleo's rehearsals at the theatre and her relationally disturbed housemate Elisa, she finds herself in a world of adults who themselves seem to be unable to cope with life.

Documentation about Christoph Schlingensief's legendary election campaign. With his theater and art actions, as a filmmaker and opera director, Christoph Schlingensief (1960–2010) shaped cultural and political discourse in Germany over two decades. The party “Chance 2000” was Schlingensief's biggest, most public project up to that point. For the 1998 general election Schlingensief organized an “election campaign circus“ in Berlin and founded the party Chance2000. This is an ecstatic piece of political education and a tale of a party’s life and survival.

Feature documentary about Christoph Schlingensief's political party/art project "Chance 2000".

Dance teacher and mother Nadja left her son Mario with her own mother when he was little. Now she has reappeared on his doorstep, seeking a closeness that knows fewer and fewer boundaries. An uncompromising film about family relationships.