Kanta Kisaragi

Mining engineer Shigeru investigates the disappearance and death of his fellow coworkers when prehistoric nymphs are discovered emerging from the mines. After an attack on the local village, Shigeru heads deeper into the mines only to make a more horrifying discovery in the form a prehistoric flying creature. Soon a second monster appears as the two converge in Fukuoka.

Japanese comedy film.

Japanese comedy film.

Postwar! Baseball! Comedy! Enoken plays a superfan of the Yomiuri Giants – the real Tokyo team, with many of its star players "acting" as themselves – who, despite his utter lack of athletic abilities, becomes embroiled in their successes, and their personal lives. Will Enoken help the Giants take the pennant?

Struggling to elevate himself from his low caste in 17th century Japan, Miyamoto trains to become a mighty samurai warrior.

A comedic tale told in four parts, this film follows the antics of the pickpocket Kinta as he is pursued by a low ranking deputy named Kurakichi. The two get into all manner of peccadilloes and encounter a range of peculiar characters as their game of cat and mouse moves across the countryside in the last days of the Tokugawa Shogunate.

Enoken plays both Kondo Isami and his deadly enemy Sakamoto Ryoma in this comedic, song-filled vision of the Meiji Restoration.

An Ishiro Honda film.

Hyoroku's Dream Tale

Diary of the First Incredible Laughing Trip

1930s Japanese comedy.

Enoken plays legendary ninja Sarutobi Sasuke, whose magical powers never help as much as expected - in war or in love.

Enoken's anachronistic take on the beloved (and already very funny) Edo-period novel "Shank's Mare," aka Tōkaidōchū Hizakurige, in which Yaji and Kita, two plebeian nobodies, have all sorts of strange and colorful encounters on the long road from Edo to Kyoto.

Two hyper-competitive salarymen let their workplace rivalry spill over into their private lives, as both men try to one-up each other on a luxurious beach vacation neither's family can afford.

Enoken no wanwan taishô AKA Wanwan Taisho AKA Bowwow General directed by Nobuo Nakagawa

1953 jidaigeki directed by Nobuo Nakagawa of Jigoku and Ghost of Yotsuya fame.

After learning that he has accidentally killed a man in a fight, Unokichi must look after the man's pregnant widow.

An irreverent take on a medieval Noh drama, Hokaibo sees Enoken play the titular monk whose lusts drive him to murder.

Romantic and Crazy

Ushinosuke returns broke to his hometown, where everyone believes he's rich and successful. Part two (of four) of the film adaptation of Bunroku Shishi's novel, Oban.

Enoken plays a frog-oil-hawking conman whose claims to martial prowess land him in hot water with the local samurai gentry - but not before he falls in love with exactly the wrong girl. Another musical comedy period film quick on the heels of the earlier Kondo Isami.

Enoken’s Shrewd Period

The legendary ninja Kurama Tengu (Enoken) uses his superhuman powers to help free a band of street urchins from their Fagin-like master. The film's incredible climax, when Enoken fends off dozens of men attacking with ladders and handcarts, brings to mind a slightly less dextrous Jackie Chan.

A shikakenin was an under-the-cover trade that undertook killing in Edo. Hanemon of Otowa, an agency that introduced laborers and maids, was also one of these. Katsugoro Iseya was a timber dealer who had come in as a client. His target was the constructions magistrate Hanno, and the Tatsumiya who sipped on the benefits. Hanemon who had a stong code towards killing, where he would only kill those who do no good to be in the world, accepts this request. Baian Fujieda, a needle doctor would carry out the killing. However, the professional killer Baian fails to bring down Tatsumiya. Hanemon then looks to another shikakenin, the ronin Sanai Nishimura for the role. Although Sanai's ability with the sword is good, he lives poorly in a tenement, and accepts this commission on the condition that it is kept a secret from his wife and child. Here, they close in on Hanno and Tatsumiya again...