Enedina Díaz de León

Rival factions struggle over a box that was entrusted by Pancho Villa to several members of his higher command. Second of three films in series "El jinete sin cabeza."

Frente al Pecado de Ayer

Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him to share his turkey, but he refuses all except Death. In return, Death gives him a bottle of water which will heal any illness. Soon, Macario is more wealthy than the village doctor, which draws the attention of the feared Inquisition.

Gloria encounters Francisco, a man whose social veneer betrays a truer self burrowed underneath.

Mike, a Hemingway-esque adventure novelist, is spending his days in a self-imposed exile somewhere in Central America. A reporter for Sight Magazine, Katie, has tracked him down in the hope of getting the biggest scoop of her career. Mike falls for Katie. On a flight to Mexico City, their plane crashes near a remote hideaway of Nazi war criminals in hiding. The Nazis want to stay hidden and plan to dispose of their new guests

A bizarre black comedy about a man whose overwhelming ambition in life is to be a renowned serial killer of women, and will stop at nothing to achieve it - but not everything goes according to plan...

In the drama, a father, firmly believing that the baby daughter in his arms is not his own, abandons her upon the doorstep of the town drunk. Many years pass, and the man finds himself continually wracked with guilt about deserting her.

Newlywed Oliverio receives disturbing news that his mother is on her deathbed. He travels to a remote part of Mexico to fetch a lawyer who can sort out her will. Leaving his wife behind, he embarks on a bus ride that’s interrupted by an increasingly absurd series of episodes, including an impromptu birthday celebration; a one-legged man writhing in the mud; come-ons from an insatiable small-town belle, Raquel; and Oliverio’s frequent, Freudian nightmares.

A tough young man, who helps to kick poor people out of their houses, falls in love with a girl. She lives with her father in the building about to be demolished.

A useless and bloody vendetta has been going on for ages between two families in this Mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor in a revenge that never ends since it is also triggered by people of the village. Now, today, there are only two sons left, one in each family. One has become a doctor in the big city and his culture is modern. The other last one - of the other family - hasn't left the village and is waiting for the doctor to come "home" as he plans to kill him, to settle this war on this matter of honor once and for all. And the people of the village want blood.

After hiding a murderer, a Catholic priest is forced into self-exile and decides to embark on a pilgrimage through the Mexican countryside.

Bernardo is in love with Adela and although she does not belong, he has always helped her family although they only care about money and not the virtues of man.

Pedro Muñoz is a womanizer that does not escape one until Irene Garza arrives and makes him to see his luck, while the aunt of her tries to separate them.

A mousy, poor manicurist seeks to switch places with her more glamorous, wealthy twin sister.

Liberal farmer Pepe has arrived in Santa Fe to visit his aunt, Dona Perfecta. While he's there, Pepe is eager to teach the traditional-minded townspeople a new way of living. Unfortunately for Pepe the people of Santa Fe aren't eager to embrace change, and when the citizens begin to voice resentment Pepe is forced to seek refuge with his sympathetic aunt. Dona Perfecta is just as traditional as any of the other townspeople though, and only suffers Pepe due to the fact that he is family. When Pepe and his cousin Rosario fall deeply in love, the situation quickly comes to a head.

A nightclub performer decides to raise the baby boy she found abandoned in a trash can, putting her job and social life in jeopardy.

On reaching the capital, Pedro Gonzalez gets a lowly job and marries Margaret. After losing that job, get a new one as a bodyguard but is fired again. With so much poverty and despair Pedro believes that his only way out is suicide.

Well-intentioned Tin Tan who is always making trouble for other people, sometimes on purpose and sometimes by accident.

Adult street urchin passes himself off as rich man's long-lost son.

The charitable Emilio is a jealous barber tries to prevent at all costs the rich toting Mario mess with his girlfriend Rosita. Although Emilio help with money from neighbors, gets entangled in a misunderstanding and ends up in jail but his friends are out of charge so much trouble.

In Mexico City, two sisters, Maria and Elena, fight over the love of pimp Rodolfo. Elena escapes her sad marriage to an old banker into Rodolfo's arms. Meanwhile, life is hard for sex worker Maria, who-along with her supportive group of fellow sex workers-must deal with exploitative clients.

Taxi driver takes the wrong passenger at the wrong time and gets caught up in a murder investigation.

Called by the Mexican President himself, a rural teacher goes to work in a village that is dominated by a malevolent chieftain.

Three Black Angels (Spanish: Tres angelitos negros) is a 1960 Mexican comedy film directed by Fernando Cortés and starring Miguel Aceves Mejía, Yolanda Varela and Pedro Vargas.

A young woman becomes pregnant but when his boyfriend leaves her she gets a job as a prostitute in order to provide for her child.

A young professional hires a sex-worker to pass as his wife in a situation that requires him to seem married. Later they think about getting married for reals... but mostly they just recite monologues to each other.

A humble tramp is turned, for a couple of days, into the richest and most famous man in México.

Orphan Manuela's passionate crush on her teacher Lucila scandalizes their all-girl Catholic school.

Cowboy-hero series, number two of two: Townsfolk pledge all their jewels and valuables as security for a large loan to undertake a public works project... and then the swag is stolen.

Film version of the 'hitchhiking ghost' urban legend.

Two underachieving brothers take responsibility for an abandoned baby.