Krystyna Bigelmajer

A group of students are spending the summer vacation at a university camp studying the science of linguistics. One of the camp directors, Jaroslaw, is a young professor who prefers the straightforward, intimate approach to students. He is opposed in his liberal views by Jakub, who likes to manipulate people. There is a confrontation from the beginning when Jaroslaw allows to attend the seminar a student who presents the views not according to the official line. In the end, a jury prize is given to mediocre paper, while the suspected school of thought still draws a recommendation. Finally the deputy rector arrives for the closing ceremonies, and since he disfavors the line of thought awarded by the recommendation the tensions rise. They climax when student in question bites the rector in the ear while receiving recommendation. The confrontation results in a scandal and the police is called in.

Dorota Geller, a married woman, faces a dilemma involving her sick husband's prognosis. Her husband's doctor, who believes in God, sweared about it in vain.

A young man is confronted with corrupt and vindictive colleagues at work and negligent officials at the hospital where his mother is dying. As he searches quixotically for a steadfast moral code by which to live, he suffers from the knowledge of human frailty and our darker inclinations to do harm.

In this adaptation of an historical play by Pope John Paul II, painter Albert Chmielowski decides to devote his life to helping the homeless.

A rational young man and his devoutly Catholic wife believe their sickly son may have leukemia. As they await further tests over a weekend they both struggle with a crisis of faith in both science and Catholicism.

In what appears to be an inexplicable incident, a man drives up to a resort hotel in midwinter, throws away his car keys, enters, and proceeds to agitate everyone he meets with his urgency -- a message he is somehow unable to communicate. Then he leaves, disappearing in the snow. Later, the people he appeared to have upset have gathered to search for him and find him frostbitten, but alive. Visiting him at the sanatorium to which he has been taken, they gradually discover what was really happening.

Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.

Originally made for Polish television, “The Decalogue” focuses on the residents of a housing complex in late-Communist Poland, whose lives become subtly intertwined as they face emotional dilemmas that are at once deeply personal and universally human. Its ten hour-long films, drawing from the Ten Commandments for thematic inspiration and an overarching structure, grapple deftly with complex moral and existential questions concerning life, death, love, hate, truth, and the passage of time.