Monika Treut

A documentary about the International Queer Film Festival Hamburg that celebrated its 25th anniversary in 2014. The filmmakers have filmed, interviewed, gleaned the archives, watched hours of footage and edited reams of material into a small masterpiece. With its gorgeous shots and sublime soundtrack, the documentary entertainingly brings across both the unique atmosphere and 25-year history, and above all, illuminates the complex mesh that both forms and carries the festival. On another note, the film tries to detect the ways a queer film festival like this has functioned as a platform for unheard voices - and continues to do so in the present. For some people, its sole existence has been a life changing momentum.

From Go Fish to Paris is Burning to The Watermelon Woman, this festival favorite goes behind the scenes to reveal seven successful lesbian directors. These talented movie-makers enlighten and entertain as they explore their sexual identity, growing up gay, inspirations and techniques, Hollywood vs. Indie, and of course, love and sex, onscreen and off. The conversations are intimate, the topics unlimited, and the clips from their work enthralling! Featuring Cheryl Dunye, Rose Troche, Jennie Livingston, Monika Treut, Maria Maggenti, Su Friedrich and Heather MacDonald.

Masculinity/Femininity is an experimental film project interrogating normative notions of gender, sexuality and performance. Shot primarily on Super 8, the project merges academic and creative critique -- a document of gender de-construction rather than a documentary about gender construction.

20 years after Gendernauts, Monika Treut seeks out the pioneers of the transgender movement back then to find out how their lives and their activism have evolved, how they have grown into their identities and how their energy continues to have an impact today.

Monika Treut explores the worlds and thoughts of several female to male transgendered individuals. As with Treuts first film, Jungfrauenmaschine, Gendernauts, enters a minority sector of San Fransisco culture. The characters in this film have a lot to complain about, and they do. They are people whose physical appearance (female) does not match their inner sexual identity (male). The subject is pinpointed in the film independant of sexual orientation. Leave your conservative hats at the door, this is going to need your special attention.

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