Kanitha Tith

Lida, a careerdriven woman in her late 20s in the developing metropolis of Phnom Penh, Cambodia, sells modern and upscale real estate developments to the growing middle and upper class in contemporary Cambodia. Lida may be thriving as a top real estate agent, but in her personal life , her relationship with her photographer boyfriend is deteriorating. Unable to escape the trauma and prison of her interior monologue, she travels to the quiet beach town of Kep, Cambodia, with her close companions. While the growth and modernization of the city promote an urban and cultural erasure, Kep reveals treasures from Cambodia’s heritage. It is there that Lida discovers that the specters from the past haunt in sublime and beautiful ways.

Kanitha, a young, free-spirited Cambodian woman in her 20s, lives in modern-day Phnom Penh, working multiple jobs and choosing to live how she pleases. However, her daydreaming creates tension with her traditional mother, who wants a daughter that will settle down to get married, and Kanitha seems ambivalent to her father's deteriorating health. The family's struggle seems immutable, but Kanitha dreams an idea born from memories of her father. TURN LEFT TURN RIGHT is structured as an album, with tracks and sounds influencing the form. The film weaves Cambodian rock songs together with motifs of family, nature, and boundless imagination.