Caroline van Houten

The lessons of a driving instructor are filmed in documentary style from the back seat of the training car. The rear-view mirrors reflect the faces of the people in the front very well. The instructor is never complimentary to his pupils and always makes the same nasty jokes. The camera keeps close to the dour man. But when at the end of the day he knocks down a boy, his frame of mind is turned topsy-turvy.

Just your ordinary video store around the corner: A woman enters, grabs a videotape and goes to the counter. She pulls a gun and asks for money. "Quick, quick, quick!" The cashier looks anxious and hands over the money. But just when she turns around to walk away, the cashier pulls a shotgun and fires. Is it for real? Apparently not, because someone shouts: Stop! and we suddenly find ourselves on a film set. The director seems to disagree however with the decision to stop shooting. She reflects on the situation. Then, just few moments later, the director is lying in bed. Was the film set real? Was it fiction?

Gorgeous Anna entices Jack, whom she does not know, into a remarkable game in a hamburger joint. Jack and Anna challenge each other by devouring their JoyMeal menu as sensually as possible. But before Jack reaches a climax, his French fries are finished.

This French-German-Dutch biopic on the life of 17th century Dutch master Rembrandt van Rijn is told in flashbacks from the point-of-view of the aged artist. Soon after establishing his career as a painter in Amsterdam, he marries the radiant Saskia. As he makes a name for himself, he can soon afford to buy a large house by teaching wealthy aristocrats how to paint. However, the couple's happiness is short-lived; Saskia dies soon after bearing their son, Titus. Crushed, van Rijn seeks comfort first in the arms of his maid Geertje and then with his second wife, Hendrickje, who gives birth to a daughter. In spite of his genius, van Rijn's determinedly eccentric behavior alienates the very members of the elite who were paying his bills. At one point, the artist's home and belongings, including many of his paintings, are seized and sold for humiliatingly low prices in a rigged auction.

42-year-old Peter experiences his existence as a big routine. Is he suffering from a midlife crisis...or does he really see things differently than they really are?