Nayra Ilic

Gastón Fernández has arrived at 34 without too much to show or brag about. He has no money, job, girlfriend, friends or life plan. He's a composer that doesn't compose. The one-time "most likely to succeed" at Santiago's Musical Conservatory has passed from promise to failure. He feels he is beginning to wander alone. Isolated and detached. Gastón feels that everyone judges him and see the word loser tattooed on his forehead. At the same time, an alter-ego, a sort of doppelgänger, haunts him.

Gustavo Frías invites us on a journey into the human soul, to learn about situations that rarely are seen in to the public eye but are always present within the privacy of ordinary people.