Hua-Chien Hsu

A man chooses to leave the city and goes back to his hometown in the countryside. However, he finds that his dream of being a farmer is shattered as the property developers have flocked into this small town in Southern Taiwan. Consequently, the farmland is taken over by holiday homes and villas, which not only look incongruous in the landscape but have destroyed the serenity. A woman who left home lives in one of the villas. She has been trapped in the house both physically and mentally until she meets the man. Their encounter is about to change everything…

A high school student and a pop singer meld reality with fiction as they both fantasize themselves as characters in a Ming dynasty tale of seduction - "The Peony Pavilion."

Ah-Lun, who has a choice to make in the underworld, decides to be a god of love in Chinese mythology. As he advances with his tasks on Earth, his biggest challenge is to tie a red string with the woman he loves the most.

After being through many tough situations in her life, Lin Mei-jing wrote this letter to Lin Hsih-hao. Even though they’re classmates, they are not familiar with each other at first. By a chance, she entered his secret shelter, after that, they started to share secrets and everything there. Today, they decided to leave the world together. This is a top secret plan. No one else knows it.

During an illegal logging process, A Yuan fainted outside the forest, and then the wounds on his body gradually changed. The mutation of his body affects A Yuan's physical and mental perception. As the mutation goes out of control, in this unknown and mysterious state, he finally has to face himself and make a choice...

Man of Iron was positioned as something of a follow-up to Boxer From Shantung, the rise-and-fall story of Ma Yung Chen and it reunites the directors and some of the cast in a similar but much slighter tale of a lesser gangster's rise and fall in Shanghai. While the opening narration specifically recalls the events and tragic conclusion of BOXER, this one is set 20 years later in the same section of Shanghai but otherwise has nothing to do with the events or characters of the previous film.

A man washes a stuffed pig in a laundromat in Taipei and a woman waits for someone else. Like mass-produced pigs, this is a brief encounter, one of the many chance encounters in life, but what we learn about the two and the life of the city seeps in and plays a long aftertaste.