Kao Hsiang

Marriage Angle is a Hong Kong Mandarin-language feature film of the drama genre, written and directed by Wang Yin, produced by Shaw Brothers Studio, Liu Chi and Chow Sze-Ching were the cinematographers.

Long unemployed and stone-broke, Shen Jiaguang is dealt a further blow when his wife Lu Xiaoyin has fallen seriously ill and their son Xiaoguang has to quit school.

The Angry Guest is a direct sequel to Duel of Fists which had two long-separated brothers, Ti Lung and David Chiang, reuniting in Bangkok and running afoul of the local mob after Ti Lung, a boxer, beats the local favorite in the ring. In this film, the action shifts from Bangkok to Hong Kong to Japan and then back to HK as the brothers contend with a Japanese mob led by crime boss Yamaguchi, who is played by the film's director, Chang Cheh, in a rare screen appearance.

A Shaw Brothers production.

A Shaw and Sons production.

Loosely based on Charlotte Bronte's novel Jane Eyre.

A Shaw and Sons production.

Angel is a pretty young girl who debates in a furious manner at a Women's Day Meeting against the unequal law of the Ching Dynasty which permits Chinese males to have concubines. This leads to a series of complications that affects those close to her including her younger sister.

Man of Iron was positioned as something of a follow-up to Boxer From Shantung, the rise-and-fall story of Ma Yung Chen and it reunites the directors and some of the cast in a similar but much slighter tale of a lesser gangster's rise and fall in Shanghai. While the opening narration specifically recalls the events and tragic conclusion of BOXER, this one is set 20 years later in the same section of Shanghai but otherwise has nothing to do with the events or characters of the previous film.

A HK comedy film starring Jeanette Lin Tsui and Hung Yeung.

A drama by the Shaw Brothers studio.

A Shaw Brothers comedy starring Peter Chen Ho and Ding Ling.

A Shaw Brothers drama starring Peter Chen Ho and Ding Ling. It was filmed on location in Malaysia.

A Shaw Brothers comedy starring Peter Chen Ho and Fanny Fan Lai.

A romantic comedy by the Shaw Brothers studio starring Peter Chen Ho, in his first starring role in a SB film, and Pat Ting Hung, in her film debut.

Wan Jialiang, a factory worker, and Lu Xiuzhen fall in love and live together. Hou Liang is supported by Dong Yaqin, his cousin, and their lives improve. Desperate to get rid of Jane, who is pregnant, Jialiang plans to make her fall into the sea and die.

Tao Zutai, a bank employee, has five children. Tao's wife is addicted to gambling and spends too much and the eldest daughter Guiru is greedy for vanity. Tao is overjoyed when he is notified that he will be promoted to deputy manager.

This is the story of three ladies who live together in an apartment in Hong Kong and what happens to them. First, there is Shuxian, whose husband left her and has a son in the hospital who can't walk. Then, there is Meifen, a romance novelist who pines for a deceased lover and, finally Manli, a young lady with some sass who is expecting a visit from Mr. Zheng, a man she has been a pen pal with for a year. She also has been dating someone else, not happily. The film goes through all three lives.

Gu Lingxiu's dream of becoming an actress is opposed by her grandmother. Her father Zhongqi remains ambivalent. Years ago, Zhongqi was in love with a Peking opera diva Hua Yanhong, but the lovers were separated by the matriarch. Regretful of the mistake, the matriarch discards her prejudice and allows Lingxiu to pursue her career. She also urges Zhongqi to look for Hua.

Not a love triangle but a love rectangle, Rose, Be My Love is a romantic drama that represents the high standards achieved by Shaw Brothers in both star power and technical polish. Set on the eve of Pearl Harbor and Hong Kong's invasion by the Japanese, the tragic romance takes on added poignancy in light of the future fate of leading lady Li Ting, the "Rose" of Rose, Be My Love who committed suicide a mere three months after the movie's release.

A middle-aged couple adopt a young girl.

Hong Kong crime horror movie from 1957.

Ostensibly a romantic comedy about mistaken identity, this film stars Kitty Ting Hao in two roles, the first as poor flower girl Fangfang and rich relation of a family in Hong Kong, who arrived in Hong Kong to see if she can feel better with the warmer climate. She meets Xihong, played by Kelly Lai Chen, who is the son in the family in Hong Kong. He is, of course, smitten with her, but when the secret is out, will he still feel the same?

A comedy about a family with two sisters.

Shaw production

A Hong Kong historical drama

Romantic melodrama set in contemporary Hong Kong, Japan and Laos. Hiroshi Tanaka (Takarada) is a Japanese journalist on assignment in Hong Kong who meets and falls in love with Wu Li Hung (Ming). He proposes to Wu Li but she rejects him because of her distaste for mixed marriages (her mother was Japanese but deserted her family and returned to Japan during WWII). Tanaka locates Wu Li’s mother and unsuccessfully tries to reunite them, but eventually Wu Li accepts his proposal. A joyous Tanaka flies off to Laos to finish an assignment but on the eve of his wedding he is killed there.

FAIRY, GHOST, VIXEN (1965) consists of three fanciful tales that may be loosely classified as ghost stories, but they're presented and designed more along the lines of traditional fairy tales. They're beautifully staged and photographed and have a timeless quality about them with a moral at the end of each.

Nurse Leng Shuxian is forced by family circumstances to marry Long Yusheng (King Hu), a grossly disfigured Quasimodo with a heart of gold. Shuxian tries but is unable to accept his deformity and they remain a couple in name only. With the appearance of Yusheng's cousin, she has to make a choice between personal happiness and family duty. From the start, Loh's character and drove the action, evoking a great intensity of emotions along the way: suffering, resignation and loneliness. Loh was lauded as the "Queen of Tragedy" after her heart-wrenching portrayal in this film. Winner of two Golden Harvest Awards – for best screenplay and best black-and-white cinematography – at the 8th Asian Film Festival in 1961.

This is a story of how Ru Ji, a farm girl of Chao Kuo, who sacrificed her own life to save her country and people in the year 257 B.C.

A young woman in search of a lost identity, her long lost mother who abandoned her soon after her birth.