Jorge Alí Pérez

Mata que Dios perdona

After several years of retirement, Roco decides to make a new film. To achieve this, he reassemble his crew: cinematographer Larsen, Nacho the cameraman, soundman Meta and Cacho, the ever loyal machinist. But social and personal crises have dispersed the strange and remote territories of reality. Sometimes dramatic and and sometimes funny, Roco's search will lead him to an unavoidable encounter of life, death and rebirth.

At a rundown bus station in rural Cuba, the line of passengers waiting just keeps getting longer. The problem is that every bus that passes by is already full. Their only hope is to wait for the station's bus to be fixed. As the disparate group settles in, relationships start forming between the passengers: Emilio, a young engineer, becomes smitten with a beautiful young woman who is en route to meet her Spanish fiancé, a blind man gets support from the others to go to the head of the line. Frustration and disorder reign when the one bus brakes down and no one can leave. Resigned to working together, the group magically transforms the station into a beautiful place where no one wants to leave.