Antonino Iuorio

During the Covid-19 lockdown, a film crew is shooting an adaptation of Camus' La Peste. Reality and fiction start to blur between each other.

Amelia and Pippo are reunited after several decades to perform their old music-hall act, imitating Fred Astaire and Ginger Rogers, on a TV variety show.

Depressed magistrate Damiano Fortezza relocates from Milan to a small town in Campania, where the three Fontana sisters, owners of a chain of incinerators, dominate. The youngest, Eugenia, is about to marry a well-known crook Fortezza has to prosecute. However, he ends up falling in love with Eugenia and questioning the priorities of his job.

Alessio Rinaldi, a 25-year-old director, gets the charge from a producer to write the script of his first movie with Ubaldo Terzani, a well-known writer of horror novels. Alessio moves into Terzani's house to start this collaboration, and a strange relationship of psychological dependence grows between them: Ubaldo Terzani unveils his dark side, and Alessio fall in a desperate depth of craziness and nightmares. There is a reason why Terzani's bestsellers are so frightening ... Alessio will discover that reality can be unexpectedly more terrifying than every brainchild, and he will have to fight hard to escape Ubaldo Terzani's jaws.

Her name is Mina, but she is called Bambola (doll). Upon the death of her mother, she and her homosexual brother, Flavio, open a pizzeria. A man named Ugo loans Bambola the money, but is then killed in a fight with another one of her boyfriends, Settimio. While visiting Settimio in jail, she meets a sadistic man named Furio, and they begin a relationship.

Shooting Silvio

In 1st century BC Palestine, Joseph is a carpenter who wants to travel and see the world, but destiny makes him meet young Mary. The two fall in love and marry. One day, Mary becomes pregnant and tells Joseph an unbelievable truth... He decides to stay on her side, but things won't be easy.

In 17th-century France, the Queen brings the Three Musketeers — Athos, Porthos, Aramis, and an aging d'Artagnan — back from retirement for one last job: saving her son Louis and the whole kingdom.

Maqroll, Ilona, and Abdul all share a common dream: to sail the world in a tramp-steamer. But who could afford such a thing? Over the years they have become separated. Alone in Panama City, smuggler Maqroll is finding neither great success nor happiness — until the tropical rains come, bringing Ilona: friend, lover, and partner in crime. Abdul, in Morocco, has found a steamer to suit them. In Panama, Ilona and Maqroll begin a new scheme, in search of impossible wealth. But fate has further twists in store.

The title deliberatly recalls the famous L'oro di Napoli (Napoli's Gold) by Vittorio De Sica (1954). Alike De Sica's film here Naples is the real protagonist: Naples and its dust, not its gold. Through five episodes expressing different aspects of Naples, we have a picture of the town that doesn't belong to the postcard stereotypes...

Thirteen-year-old Giampiero is the teenage son of a decaying family. He gets to know Romana, a girl of his age, and they fall for each other. The trouble is that Romana lives in a Romani settlement set up near the block where he lives. Now, the coexistence between the travelers and the sedentary population is not without problems, so much so that violence winds up erupting. On the other hand, Romana's father is forced, to honor a gambling debt, to sell his daughter to a traveling merry go round owner. Giampiero, then decides to go in search of Romana and to elope her, as they had promised to each other...

Towards the end of the eleventh century, Pope Urban II announces a crusade against the Saracens, who have occupied the holy city of Jerusalem. Three young friends Richard, Peter and Andrew set off to join the crusading army.

Teresa is a nurse and does not have an easy life: her husband plays poker and next to her she sleeps only and the father organizes the illegal lot among the sick. So one night Teresa is involved, in spite of herself, in a whirlwind of ambiguous situations, together with Ferdinando and Friariello, met by chance, between camorristi, dog races and a bingo of which he unknowingly becomes the prize. But "has to pass" to "nuttata", this is certain, but how?

In 1985 in Milan Michele Croce is now in prison and decides to answer the magistrate's questions, telling how in the seventies he became the ruler of the Milanese underworld.

The last days of humanity by Karl Kraus, a mammoth drama - almost 800 pages in the Adelphi edition - staged by Luca Ronconi in the Lingotto in Turin, broadcast by Rai

On a hot summer night, Raffaele, the elderly manager of a Neapolitan counter-lot, is brutally strangled in his own accommodation.

The double meaning in french of film title MINEURS resume the sense of the film: mineurs as children and as mineworkers in the coalmines. Italy, at the beginning of the sixties. In a little village in Lucanie, little region in the south, four children live in a situation of absolute poverty, but with their plays in the street succeed in living in happiness. In the air the menace and, in the same time, the hope of a telephonic convocation by their relatives, already at work in coalmines in Belgie, in the mine district of Limburg. Two of our children leave with their families, to reach the numerous Italian community of Flandres. The children will have a lot of problems, in the school and with the language, to integrate in a hostile ambient, but, at the end the will succeed.

The destiny of Giuliana is radically changed when two robbers suddenly break into the supermarket where she works and take her hostage.

“The Nineties had a pretty bad start”, this is how Vincent Dieutre introduces us to the shadows of his personal universe in those years going through Utrecht, Naples and Rome. In these three cities and two love affairs guide a homosexual man on his nightly search for lost beauty. In a cross between a diary and a baroque play the film reconstructs the fragments of a fateful journey against a Caravaggio backdrop. Painting, sensuality, losing oneself in a cityscape: the Leçons de ténèbres form an obscure fresco, a white-hot collage of trashy vanity.

Paolo invites his American friend Sam to Rome with the promise of a film to direct, but it takes a lot of money to make it, and they plan to steal a Modigliani painting from a wealthy producer.

The story of four inmates during their 48 hours furlough, of their reality and how it has brought them behind bars. The characters are described with realism, with their contradictions, their desperation, the temptation of an escape, but the cornerstone of the movie is the sincerity of the positive feelings of each and everyone of them: the love of a father for his son, the love for a woman, for friends, and most of all the pursuit of a lost (if ever had) personal dignity and pride. Four characters of different ages and extractions, three man and a woman: Luigi, Donato, Rossana and Angelo.

Claudio Scanna is a private in the Italian army: during his first night in a new military base he gets in a fight with senior recruits. Lieutenant Fili, Claudio's commanding officer, is denied a promotion because his superiors discover he was absent without justification during the night of the fight. Fili blames Claudio and vows to make his remaining months in the service a living hell...

Ivo il tardivo

Naples, 1959. Pure Mathematics professor Renato Caccioppoli, Bakunin's grandson, is a tortured soul. Recently discharged from the psychiatric hospital, left by his wife, and increasingly disillusioned with academia and the Communist Party, he lives his last days with painful detachment.

The downfall of a powerful Mafia family by the hands of its young scion. Based on Aeschylus' tragedy, the Oresteia.

A man is hired to place a bomb inside a high-rise building to destroy some compromising documents, but he gets stuck in the elevator with two unaware workers, while the timer on the bomb keeps ticking.

Eddie Hawkins, called Hudson Hawk has just been released from ten years of prison and is planning to spend the rest of his life honestly. But then the crazy Mayflower couple blackmail him to steal some of the works of Leonardo da Vinci. If he refuses, they threaten to kill his friend Tommy.

A married couple must get their hands dirty when a bunch of mobsters start using their new home as a deposit for illegal material.

Sabato, domenica e lunedì

A Camorra boss fakes his own death in order to start a new life elsewhere with his family, but a nurse happens to see him alive and well after the funeral. A hitman is promptly sent to get rid of her, only to find out that she's his first and unforgotten love. He decides to protect her, becoming himself a target.

La settima onda

Bartoloni from Milan exchanges apartments with his colleague from Rome and moves toa new place. And everything could be good, if not unexpected trouble with which he will have to face ..

The Roman taxi driver Pietro Marchetti finds himself to witness a mafia crime. Having to testify at the trial, he is checked by the police, especially when he has to go to the United States to attend the graduation of his son Francesco.

The revenge of a young woman who sees her family brutally shot to death.

Family Express

1960s, the city of Clerville. The forthcoming visit of heiress Eva Kant, who'll be bringing a famous pink diamond with her, catches the attention of Diabolik, the infallible and elusive thief whose real identity is unknown: while trying to steal the jewel, he finds himself bewitched by Eva's charm, a feeling she may be reciprocating. But the police, led by relentless Inspector Ginko, is rapidly closing in on him...

Giallo based on the true crime of Rita Squeglia, who killed her lover and hid the body in a suitcase.

A young opera singer is stalked by a deranged fan bent on killing the people associated with her to claim her for himself.

The story of Benvenuto Cellinin (1500-1571), a soldier and one of the most important craftsmen and artists of Renaissance Italy whose life was marked by many achievements and adventures, but also crimes. There is also the mini-series version consisted of three 90 minutes episodes, broadcasted by RaiDue.

Hannover

In the 1950s, a big stir was made by a book (and its corresponding movie) called The Ugly American. Its subject was the grievous damage done to local cultures by well-meaning but essentially clueless (and frequently arrogant) representatives of the U.S. Since then, the phenomenon of cultural damage cause by arrogant tourists and visitors has been demonstrated to be something everyone is capable of. In this thoughtful, comic drama, the subject is Italians overseas. In this film, Malindi Kenya is the playground of rich Italians.

Phillip and Suzanne are retired from the spy game, living peacefully off the grid. That's until their whereabouts are discovered by Vlad, the vengeful brother of their target from the first film.

The portly meter reader Crecenzio is first seen blowing up a building. The reasons for this drastic, desperate act provide the basis for the story, which is told in flashback.

Set in Piemonte of Carlo Emanuele III, Elisa di Rivombrosa tells the love story between Count Fabrizio Ristori and the maid Elisa Scalzi, lady companion of countess Agnes, mother of Fabrizio. The couple will face many difficulties, intrigues of all kinds, a mockery of fate and various misfortunes.

Anthology crime series penned by some of the foremost contemporary Italian noir writers (Camilleri, Faletti, De Cataldo, Carofiglio, Lucarelli, Fois...)

Italian police inspector Coliandro — an ignorant, boorish, but fundamentally kind-hearted oaf, whose entire worldview is informed by American cop movies — protects the good citizens of Bologna, routinely saving the day and foiling the plans of evildoers of all sorts by a combination of dumb luck and genuine bravery, while always falling hopelessly in love with the woman at the center of the case.

Italian police inspector Coliandro — an ignorant, boorish, but fundamentally kind-hearted oaf, whose entire worldview is informed by American cop movies — protects the good citizens of Bologna, routinely saving the day and foiling the plans of evildoers of all sorts by a combination of dumb luck and genuine bravery, while always falling hopelessly in love with the woman at the center of the case.