James Lailey

Hotspur is dead and Prince Hal has proved his mettle on the battlefield, but King Henry IV lies dying and the rebels show no sign of surrendering. Even Sir John Falstaff is forced out of the taverns to raise a militia, but will his attachment to Hal be rewarded with promotion and the life of ease he feels sure he deserves? Henry IV Part 2 includes some of the greatest moments in Shakespeare: the deathbed scene of the old King, when Hal contemplates the crown; and Hal's devastating rejection of Falstaff himself. Roger Allam ('a Falstaff to treasure' - The Times) won the 2011 Best Actor Olivier Award for his performance in Henry IV Parts 1 and 2. 'Jamie Parker (Prince Hal) is 'terrific to watch' (London Evening Standard); he appeared in As You Like It at the Globe in 2009, and was also in The History Boys at the National Theatre, on Broadway and on film.

Prince Hal, son of King Henry IV, seems to be squandering his life away with the fat knight Sir John Falstaff and the whores, boozers and petty rogues of Eastcheap. But beside these scenes of glorious misrule gathers a nationwide rebellion led by the Duke of Northumberland and his charismatic son, Hotspur. The first installment of Shakespeare's gripping account of the rise of Hal from idle barfly to monarch-in-waiting combines compelling power politics with the hilarious antics of Falstaff, Shakespeare's greatest comic creation.

After killing his English partner, a Canadian businessman assumes his identity. Things begin to fall apart for him when the murdered man's body is found.

Vincentio, Duke of Vienna, disgusted by the immorality in his city, announces his withdrawal from public life and leaves his deputy, the puritanical Angelo, in charge. Angelo, in his zeal for observing the letter of the law, begins a ruthless programme to stamp out sexual licence, in the course of which he condemns one Claudio to death. Surely Claudio’s virginal sister Isabella, a novice nun seeking mercy for her brother, could not awake the lust of this cold, censorious man?

Benjamin, a rising star filmmaker, is on the brink of premiering his difficult second film ’No Self' at the London Film Festival when Billie, his hard drinking publicist, introduces him to a mesmeric French musician called Noah.

Three stories of strangers meeting on the edge of war. A conscientious objector and a roaming artist find tenderness as the carnage of the Second World War unfolds across the English Channel. A bereaved mother struggles with bitterness and love in recollecting her estranged son, lost in the Falklands. Deep in the Black Forest of Germany, an ageing holocaust survivor seeks to bring peace to disturbed young boy and his equally wild stepfather.

The popular musical is brought to life on soundstages at London's Three Mills Studio, in a live TV dramatisation of the timeless story of Maria and the Von Trapp Family singers, one of the world's best-known concert groups in the era immediately preceding World War II.

A young man, Stevie, awakes on a wasteland overlooking Bradford, still bleeding from a brutal attack that has left him with severe memory loss. Recent events are a total blank; his more distant memories are a blur. He slowly begins to piece together his identity: his name, his home, his family. At first it appears he returns to his former self but through a series of painful flashbacks and encounters, he comes to learn of the dark and disturbing events that led to his beating. Ashamed to learn of the person he has become – and the dangerous world he became mixed up in – Stevie realises he will have to pay. But at what price?

Shakespeare’s masterpiece of the turbulence of war and the arts of peace tells the romantic story of Henry’s campaign to recapture the English possessions in France. But the ambitions of this charismatic king are challenged by a host of vivid characters caught up in the real horrors of war. Henry V, which opened the new Globe with the words ‘O for a muse of fire’, celebrates the power of language to summon into life courts, pubs, ships and battlefields within the ‘wooden O’ - and beyond.

When the King of Navarre and his three courtiers forswear all pleasure - particularly of the female variety - in favour of a life of study, the arrival of the Princess of France and her ladies plays havoc with their intentions. Using every kind of verbal gymnastics to poke fun, Shakespeare's most intellectual comedy is brought to hilarious life in this highly entaining production, rich in visual humour and sexual innuendo.

Drama series about the staff and patients at Holby City Hospital's emergency department, charting the ups and downs in their personal and professional lives.

As a child, Kate Ashby was rescued from the horrific aftermath of the Rwandan genocide and brought to the UK. But the tragic shadow of her past proves impossible to escape.

Peak Practice is a British drama series about a GP surgery in Cardale — a small fictional town in the Derbyshire Peak District — and the doctors who worked there. It ran on ITV from 10 May 1993 to 30 January 2002 and was one of their most successful series at the time. It originally starred Kevin Whately as Dr Jack Kerruish, Amanda Burton as Dr Beth Glover and Simon Shepherd as Dr Will Preston, though the roster of doctors would change many times over the course of the series. Cardale was based on the Staffordshire village of Longnor for the final series, but was previously based in the Derbyshire village of Crich, although certain scenes were filmed at other nearby Derbyshire towns and villages, most notably Matlock, Belper and Ashover.

Wycliffe is a British television series, based on W. J. Burley's novels about Detective Superintendent Charles Wycliffe. It was produced by HTV and broadcast on the ITV Network, following a pilot episode on 7 August 1993, between 24 July 1994 and 5 July 1998. The series was filmed in Cornwall, with a production office in Truro. Music for the series was composed by Nigel Hess and was awarded the Royal Television Society award for the best television theme. Wycliffe is played by Jack Shepherd, assisted by DI Doug Kersey and DI Lucy Lane. Each episode deals with a murder investigation. In the early series, the stories are adapted from Burley's books and are in classic whodunit style, often with quirky characters and plot elements. In later seasons, the tone becomes more naturalistic and there is more emphasis on internal politics within the police.

Tasha is living the dream, she has the perfect house, a loving husband and a beautiful little girl. But there's one large blot on Tasha's marital landscape: her husbands's ex-wife won't leave them alone and seems intent on staying in the picture.