Eric Balbàs

1978. In a small village in Bas-St-Laurent, Guy’s tragic death is a shock for the Leblanc family. For many years, the real cause of his death is kept hidden from some members of the family, including his son David. The latter in turn starts his own family with his wife Marie. He lovingly raises his children Laurence and Frédéric, but deep within him harbours a persistent melancholy.

Introverted Girona student Nacho meets two delinquents from the city's Chinatown and gets caught up in a summer onslaught of burglaries and hold ups that will change his life.

As the life of Charles of Habsburg is told since his arrival to Spain, it can be seen how the heir to the crowns of Germany, Burgundy, the Netherlands, the Free County, Artois, Nevers and Rethel, of the territories of the Crown of Aragon and its related Italian territories, and of the territories of the Catholic Monarchs in Castile, North Africa and the Americas, matures as a statesman and gets stronger in face of menaces around him and good and bad advice from his counselors.

El Mort Viu portraits the Gifra family: the father, Joan, unmotivated and unemployed, a passionate follower of Saint Rabuci; Marc, the ever-angry older brother, a hard-working yet embittered man who has taken the reigns of the family; and the problematic younger son Llàtzer, a NEET parasite that feeds on the decline of his family and the birth of a monster settling in a very peculiar town, between dramedy and fantasy, through the filter of Spanish tradition of very dark humor.

The viral video of a Christian pop group made up of several sisters has an enormous effect on the life of Enric, a man tormented by a childhood marked by religious fanaticism and the yoke of a mother with messianic delirium.