Mie Nakao

1962 Japanese movie

Set in the 1990s, this film uses black humour to cast a sharp, satirical eye at the problems facing modern Japanese families. Hiroshi accidentally hits a young woman with his car and flees in panic. He confesses to his wife, Yoko, who persuades him to keep quiet as his arrest would mean the end for their already troubled family. Their daughter is having an affair with a married man, their son is being bullied and refusing to go to school and their grandfather is becoming more difficult. Yoko urges the family to move the car into the living room in order to destroy the evidence by taking it apart. Hiroshi finally decides to do the honest thing but a series of bizarre incidents then ensues...

A new stationmaster is appointed to a dilapidated local line. On top of the failing local line feuding for hot spring customers with a bus company looking to start a new route, they even get involved in a disappearance and a murder...

A group of elderly women come together to sell vegetable leaves.

During the Vietnam War era, the influx of American soldiers to Okinawa boosted the local economy and introduced many bars and nightclubs. With exhausting displays of energy, Sai presents a whirlwind romance between a local rocker and the daughter of a mixed American-Okinawan marriage.

College life starts off great for Michiko. She and her friend join the Italian Culture Research Club that performs canzone, a genre they are both in love with. The only problem is that the club doesn't have enough money to buy instruments for them to play. One day, the two come across a talent show called the "Mari Sono Look-Alike Contest" that promises the winner a cash prize. And Michiko looks a lot like the star.

Ichi is staying at an inn when a woman dies. Her dying wish is that Ichi take her son to his father, an artist living in a nearby town. After arriving in the town, Ichi finds out that the father has been forced by a local boss to create illegal pornography to pay off his gambling debts. Ichi makes it his mission to save tha man and reunite the family, even though it brings him into conflict with a samurai he sort of befriended on his way to the town.

A group of friends try to find success in corporate Japan.

Nine maids serve the household of a writer and his wife. The couple treat their maids like daughters and marry them off to eligible men. So, they are forever looking for new maids. As the years go by maid servants become hired help and more bossy and independent, so Chikura and his wife find themselves adjusting their lives to keep up with changing times.

One day, Ezawa Jun, who has trouble with work and in love, gets a ryukin from a goldfish scooping game at a festival. However, she is actually a beautiful girl and she suddenly turns into a human form and appears in front of Jun. Called Ryu, she is looking for the legendary black ranchu and asks Jun for his help. The two strangers begin living together and growing closer. Their fate goes in an unexpected direction.

Ichie is the owner of a dressmaking shop. Her grandmother started the shop and now Ichie runs the business. Her clothes are made with an old sewing machine and are very popular. Following her grandmother’s will, Ichie only makes clothes for individuals and turns down offers to turn her clothing into a brand.

Naoto, the son of a wealthy family, suffers from Werner syndrome, a premature aging condition; Dai is an overweight child troubled by his penniless father's drunken violence; Jun, a gifted student, is the foursome's natural leader; and Tetsuro is average...

Tanno Tomofumi, diagnosed with early stage Alzheimer's at the age of 39, Orange Lamp followed a married couple's nine years after realizing that life has no reason to surrender to an disease.

Crazy Operation

Camping on the streets of Tokyo, Michio meets Chihiro, a dancer, whom he makes fun of at first, but later befriends. Together they join a team of aspiring dancers and aim to make their professional debut. Michio and Chihiro gradually develop feelings for each other but, triggered by jealousy, Michio's old friends try to come in between them.

Comedy has the proprietors of a tonkatsu (deep-fried pork) restaurant match wits with a Chinese developer.

Nippon Ichi no Goma Suri Otoko

1962 Japanese movie

In an unknown place and unknown time, a lone Samurai known only as Grave thirsts for the ultimate battle.

Toho comedy shot in Tohoscope featuring performances from the Peanuts and the Crazy Cats. Original released alongside another Toho comedy, King Kong vs. Godzilla.

A Toho comedy film staring the Crazy Cats.

A new kind of melodrama about a man that wants children, but can't have them with his wife; and a single-woman that wants to have a child of her own. It is also about what children mean to both sexes.

新・ミナミの帝王～ニンベンの女～

Centered around typical Japanese food, a solitary salesman travelling through the country for business purposes, eats at its various establishments and experiences the various delicacies of Japanese cuisine.

This is a story of three generations of women in the Mikuriya family, seriously thinking about "What kind of life do I want to lead?" and overcoming their problems by saving money. Mikuriya Miho is the second daughter of the family and has just started living alone after finding a job with a decent salary. Miho has been dreaming of becoming a working adult with a wonderful boyfriend, but an event causes her to rethink her life.

40-year-old Usui Arata had worked as a salesperson for her dream company but right before her marriage, she is betrayed by her fiancée. Not only is her engagement broken off, she is demoted to work at the logistics warehouse in the name of restructuring. Arata’s future is bleak. She has no dream, savings or boyfriend and wonders whether her life will end just like this? This day is her 40th birthday but no one celebrates it with her. The only thing she receives are e-mails from online shopping sites. On her way to the workplace from the company dormitory on a typical dull morning, Arata notices an elderly woman crouching by the side of the road. There is no one in this corner of the city to help her. It feels as if she is seeing herself 40 years later and she instinctively extends a hand to the woman.