Helena D'Algy

Gisèle accidentally marries her stalker when she thinks she is signing a hotel register in a foreign country.

Officer in the Imperial Russian Army, Petroff, is in love with Sonia, a schoolteacher who casts her lot with revolutionaries. During a time of suppression, she is exiled with her brother to Siberia. There Petroff is sent in the discharge of his official duties and secretly renews their romance. When the Bolsheviki overthrow the government, Sonia is freed and aids in the escape of Petroff, who incurs the enmity of Egor, the revolutionary leader, because he is a royalist. Together they escape across the frozen wastes in a sledge, pursued by wolves and Egor, who has used patriotism as a cloak to conceal personal ambitions.

The King of Illyris marries a neighboring princess, who finds out he has a mistress, Sephora. Revolted, she turns to Prince Alexei for friendship. Turmoil increases as a revolution demands the abdication of the King and the Queen opposes this decision.

Nostromo is the foreman of longshoremen in a South American Republic, and they are to load the cargo of silver that is to come from the San Tome mine. Sotillo and his band gang are plotting to steal the silver, but the fore-warned Nostromo has a plan to outwit them. He meets the silver train far up the road and has the shipment transferred to a big wagon, sending it via side-streets to the wharf. He and his men stay with the train and fight of the bandits. Back at the wharf, Nostromo thinks about claiming the silver was lost in the battle and taking it for himself. He and his conscience struggles mightily.

Adapted by Alice Duer Miller from a novel by Alden Brooks, the film concerns a young man who forsakes the humdrum business world for the bohemian life of an artist. Josef von Sternberg had been the original director of Exquisite Sinner, but MGM was dissatisfied with the picture and refused to release it. When the film finally surfaced in 1926 (a full year after its completion), it had been radically altered by staff director Phil Rosen.

A nobleman seeks to rescue his bride, who has been kidnapped by his former lover and a bandit.

Julian (Percy Marmont) is a poor artist who lives with wife Edith (Alice Joyce) and their newborn baby in Harlem. Struggling to make ends meet, he foregoes his artistic calling and draws for magazines. Reaching his limits, Julian convinces his wife he could reach higher grounds if he were to go to Paris. He moves to Paris while his Edith works at a shop on Fifth Avenue. Each of their lives evolves differently—Edith is courted by a wealthy suitor whom she ignores while pining for her husband, while Julian fails to meet his goals in Paris, returning defeated three years later. The meeting highlight how different their routes have been.

A carefree range devil rescues visiting Countess Justina of Belgravia (Helena D'Algy) from a car wreck.

If there was one thing that Don Juan de Marana learned from his father Don Jose, it was that women gave you three things - life, disillusionment and death. In his father's case it was his wife, Donna Isobel, and Donna Elvira who supplied the latter. Don Juan settled in Rome after attending the University of Pisa. Rome was run by the tyrannical Borgia family consisting of Caesar, Lucrezia and the Count Donati. Juan has his way with and was pursued by many women, but it is the one that he could not have that haunts him. It will be for her that he suffers the wrath of Borgia for ignoring Lucrezia and then killing Count Donati in a duel. For Adriana, they will both be condemned to death in the prison on the river Tigre.

Maggie, a headlining comedienne with the Follies, takes a fall off the stage into the orchestra pit and lands on the drum of musician Al Cassidy. One thing leads to another, they fall in love and get married. Al becomes a famous songwriter and Maggie stays home and has children. One day Al is hired to write a big number for Selma Larson, one of the Follies' most beautiful stars, and falls for her.

Much to the disapproval of his snooty children, a wealthy widowed attorney takes up with a beautiful but "lower-class" woman. Spanish language version of the 1929 film "The Lady Lies".